Sunday, 31 August 2025

Free live music and stuff in Las Palmas, August 2025

This is what we’ve seen this, pretty much dead, month.

  • 9 August: Poesía Cantada con Dácil Santana @ Biblioteca Pública Municipal Josefina de la Torre, Paseo de las Canteras, Las Palmas de Gran Canaria
      Dácil Santana (voice, guitar) with special guests, poets Adán Nada and Soledad Salim, the author of Guerra de almohadas.

  • 23 August: Bravas, brindis y letras @ Biblioteca Pública Municipal Josefina de la Torre
      Colloquium with actress Carol Cabrera, film director Arima León and winemakers Trinidad Fumero and Josefina Rojas, polished with a glass of white Canarian wine.

  • 29 August: Eugenia Cabrera @ Casa de Colón, Calle Colón, 1
      Canarian cantautora Eugenia Cabrera (voice, percussion) accompanied by Pachi Cabrera (guitar).

And an exhibition, or rather four exhibitions:

Looking forward to September.

Tuesday, 26 August 2025

The Unconsoled

by Kazuo Ishiguro

This is the third and so far the most difficult novel of Ishiguro I read. It took me about six weeks to finish it.

If comic episodes and repetitive dialogues of A Pale View of Hills are charming, here they take most of the space — and become tiresome. Was it really necessary to include everything the most mediocre characters say? Ishiguro himself provides great examples of how to deal with that: “For a while he went on uttering such empty phrases” or “continued in this vein for a while longer, but I had stopped listening”. The book ended just as I started to enjoy it. Bother.

The Unconsoled was published 30 years ago and, according to Wikipedia, was not received very well at the time. Now it is considered to be a masterpiece. I hope to re-read it a few years from now, perhaps even at a slower pace.

As I started to read the book during the Women’s Euro 2025, which I followed closely, the story of Number Nine — a favourite toy football player of Boris, the protagonist’s stepson — resonated with me.

‘Number Nine’ belonged to Boris’s very favourite team, and was by far the most gifted of the players. However, for all his immense skill, Number Nine was a highly moody personality. His position in the team was somewhere in midfield, but often, for long stretches of a match, he would sulk in some obscure part of the pitch, apparently oblivious of the fact that his team was losing badly. Sometimes, Number Nine would continue in this lethargic manner for over an hour, so that his team would go four, five, six goals down, and the commentator — for indeed there was a commentator — would say in a mystified voice: ‘Number Nine so far just hasn’t found his form. I don’t quite know what’s wrong.’ Then, perhaps with twenty minutes remaining, Number Nine would finally give a glimpse of his true ability, pulling back a goal for his side with some fine piece of skill. ‘That’s more like it!’ the commentator would exclaim. ‘At last, Number Nine shows what he can do!’ From that moment on, Number Nine’s form would grow steadily stronger, until before long he would be scoring one goal after another, and the opposing team would be concentrating entirely on preventing at virtually any cost Number Nine receiving the ball. But sooner or later he would, and then, no matter how many opponents stood between him and the goalmouth, he would manage to find a way through to score. Soon the inevitability of the outcome once he had received the ball was such that the commentator would say: ‘It’s a goal,’ in tones of resigned admiration, not when the ball actually went into the net, but at the moment Number Nine first gained possession — even if this occurred deep within his own half.

Incidentally, Spain’s own Number Nine, Esther González, with four goals, won the Top Scorer award of the tournament.

Monday, 18 August 2025

The Nurse’s Song / Песня няни президента США

by Roald Dahl
translated by Mark Freidkin

This poem appears in Charlie and the Great Glass Elevator, which I read last time some 20 years ago. I completely forgot about the POTUS and his nanny appearing there until I, quite by chance, came across the page of wonderful Roald Dahl translations by Mark Freidkin — yes, the very same translator of «Книга бессмыслиц». Enjoy!

Roald Dahl
The Nurse’s Song
Роальд Даль, перевод Марка Фрейдкина
Песня няни президента США
This mighty man of whom I sing,
The greatest of them all,
Was once a teeny little thing,
Just eighteen inches tall.

I knew him as a tiny tot,
I nursed him on my knee.
I used to sit him on the pot
And wait for him to wee.

I always washed between his toes,
And cut his little nails.
I brushed his hair and wiped his nose
And weighed him on the scales.

Through happy childhood days he strayed,
As all nice children should.
I smacked him when he disobeyed,
And stopped when he was good.

It soon began to dawn on me
He wasn’t very bright,
Because when he was twenty-three
He couldn’t read or write.

“What shall we do?” his parents sob.
“The boy has got the vapors!
He couldn’t even get a job
Delivering the papers!”

“Ah-ha,” I said, “this little clot
Could be a politician.”
“Nanny,” he cried, “Oh Nanny, what
A super proposition!”

“Okay,” I said, “let’s learn and note
The art of politics.
Let’s teach you how to miss the boat
And how to drop some bricks,
And how to win the people’s vote
And lots of other tricks.

Let’s learn to make a speech a day
Upon the TV screen,
In which you never never say
Exactly what you mean.

And most important, by the way,
Is not to let your teeth decay,
And keep your fingers clean.”

And now that I am eighty nine,
It’s too late to repent.
The fault was mine the little swine
Became the President.
Великой нации отец,
Что всем нам так знаком,
Когда-то был совсем малец,
Под стол ходил пешком.

Он был малявка, просто тля.
Его (коль он хотел)
Я на горшок сажала для
Больших и малых дел.

Его купала я не раз,
Чтоб мальчик лучше рос,
И утирала что ни час
Его сопливый нос.

И чтобы детство день за днём
Безоблачней текло,
Ему всыпала я ремнём
По первое число.

Ведь был он (стоит ли скрывать?)
Не вундеркинд — о нет!
И сколько будет пятью пять,
Узнал лишь в двадцать лет.

«Как парень дальше будет жить? —
Все недоумевали. —
Ведь и газеты разносить
Возьмут его едва ли!»

Но я сказала: «Не беда,
Что мальчик прост немного.
Таким в политике всегда
Открытая дорога!»

Он знает, как попасть впросак
Расчётливо и метко,
И наломать дрова мастак,
Каких увидишь редко,
И элегантен, как верстак,
И туп, как табуретка.

Он может чушь пороть подряд
И два, и три часа,
Что очень важно, говорят,
В борьбе за голоса.
Плюс строгий галстук, честный взгляд,
Зубов здоровых ровный ряд —
Они в день выборов творят
Большие чудеса.

И в результате тех чудес
(А здесь лишь я виною)
Через Конгресс пролез балбес
Руководить страною.

To put both poems into historical context: Dahl’s novel was published in 1972. The book «Детские бестселлеры» contaning its Russian translation appeared in 2001. Of course, Dahl and Freidkin were thinking of different presidents. Which president do you think of?

Saturday, 16 August 2025

Encanto

a film by Jared Bush and Byron Howard

At the long last, I watched Encanto (in Spanish), thanks to the open-air cinema cycle Vamos de cine organised by LPA Cultura. I have to say that I didn’t enjoy the first 10—15 minutes at all and was even considering going home. The viewers, that is, little kids and their parents, were producing so much noise that sometimes I couldn’t hear the dialogue. I’m glad I stayed.

OK, the “happy” ending was a bit of a let-down. I was hoping for a magic-less alternative, which was already taking shape. But all in all, I liked this film. I would like it even better if not for songs. Most of them are forgettable (I forgot them already) and don’t add much to the story. A few are irritating, none more so than Colombia, Mi Encanto yodelled by Carlos Vives. I’d say, scrap them all — with a singular exception of No se habla de Bruno (We Don’t Talk About Bruno) which is a masterpiece. I think that the Spanish version is superior to the (already pretty damn good) English original.

Thursday, 31 July 2025

Free live music in Las Palmas, July 2025

This is what we’ve seen this month.

  • 2 July: Carlos Meneses Quartet «Collabs» @ Palacete Rodríguez Quegles, Calle Benito Pérez Galdós, 4, Las Palmas de Gran Canaria
      Yul Ballesteros (guitar), Dani González (drums), Carlos Meneses (double bass) and Kike Perdomo (saxophones).

  • 3 July: Barrios Orquestados @ Biblioteca Pública Municipal Josefina de la Torre, Paseo de las Canteras
      Nice to see Barrios Orquestados still alive and getting stronger.

  • 5 July: Sofar concert @ Biblioteca Pública del Estado, Calle Muelle de Las Palmas
      With Salomé Moreno, Manu Echeva and Said Muti.
  • 10 July: «Personajes de la historia» @ Plaza del Pilar Nuevo

  • 11 July: Andrea Báez @ Casa de Colón, Calle Colón, 1
      Canarian cantautora presenting songs from her forthcoming album.

  • 15 July: El Afecto Ilustrado «Britannia. Inglaterra 1650» @ Casa de Colón

  • 16 July: Krzysztof Kobyliński @ Casa de Colón

  • 24 July: Joven CanariJazz Big Band & Zuco 103 @ Plaza de Santa Ana
      Joven CanariJazz Big Band led by José Vera Bello, featuring vocalists María Zerpa, Gabriela Suárez, Vanesa Lemoine and Carlota Baldó, plus guest Rayko León on piano. Zuco 103 sounded interesting but as they started later than (I) expected, I didn’t stay for long.
  • 25 July: Kennedy Administration & Patax @ Plaza de Santa Ana
      It was great to see Patax once again — nine years later! — at Plaza de Santa Ana. As for Kennedy Administration: I loved the band sound but find the singer (named Kennedy) overly intrusive.
  • 26 July: «Versalles en Las Palmas» @ Casa de Colón
      Vocal and instrumental compositions of French Baroque, as could have been heard at the royal court of Versailles. Performed by the teachers of the 3rd International Course of Early Music (III Curso Internacional de Música Antigua en Las Palmas de Gran Canaria, 21—25 July 2025): Olalla Alemán (soprano), Patricia Robaina (harpsichord) and María Alejandra Saturno (viola da gamba). The programme included:

  • 26 July: Luis Sánchez Quintet @ Plaza de Santa Ana
      Later the same evening: Luis Sánchez (piano) with José Vera Bello (sax), Gaspar Nogales (double bass), Rubén Bueno (drums) and Kervin Barreto (trumpet).

And that was it for July.

Tuesday, 29 July 2025

Five short films

by Alán González

Screened this Monday in Casa de Colón as a part of the cycle «Miradas audiovisuales. Pensar y comprender América». Presented by the director himself and followed by a colloquium, but I did not stay.

La profesora de inglés (2015)

Written and directed by Alán González. Starring Coralia Veloz, Héctor Echemendía and Roque Moreno.

El hormiguero (2017)

Written and directed by Alán González. Starring Grisell Monzón, Marybel García Garzón, Carlos Peña and Reynier Morales. Watch here.

Los amantes (2019)

Screenplay by Nuri Duarte and Alán González. Directed by Alán González. Starring Lola Amores and Noslén Sánchez.

La muchacha de los pájaros (2021)

Screenplay by Nuri Duarte and Alán González. Directed by Alán González. Starring Arlettis González, Omar Rolando González and Maggie Mateo.

Azul Pandora (2024)

Screenplay by Nuri Duarte. Directed by Alán González. Starring Lady Chiv, Mateo Menéndez, Eduardo Martínez and Yaité Ruiz.

Monday, 14 July 2025

Umiko

by Mónica Rodríguez
illustrated by Daniel Piqueras Fisk

A few months ago, I saw it in the bookshop. Maybe it was put on display because it won the 2024 National Prize for Children’s and Young Adult Literature. I leafed through it, read the blurb — about a modern Japanese girl who wants to become an ama — got interested and... asked our library to purchase it. To my great surprise, thay actually did it, and even phoned me when the book arrived.

I liked the story and loved the drawings.