Showing posts with label Cambridge. Show all posts
Showing posts with label Cambridge. Show all posts

Tuesday, 23 July 2019

Song from No Man’s Land

by Better Than TV

An eagerly expected (by me) follow-up to Late — or a complete reboot? Apart from Sergio Contrino who, once again, kindly sent me a physical copy of the album, the line-up of this reincarnation of Better Than TV is totally different from that of their 2015 discographic debut. The continuity, if there was need for one, is provided by Standing with Sally (now with lyrics; cf. its Late version) and Samba per mi as well as by enigmatic black-and-white photos of jumping children. Also, like its predecessor, Song from No Man’s Land steer clears from avant-garde without being anywhere mainstream. Cassie Gorman’s vocal takes some getting used to — I’m still in the process. Sergio’s own (uncredited) voice on Bus Stop Blu sounds very much like it did when he played this song during our jam sessions some 15+ years ago, slightly out of tune. Then again, it’s his tune. My favourites are a delightful swing tune Da lontano and a darkish jazz-waltz L’attesa è lunga, both as atypical as possible (assuming there is such a thing as “typical” BTTV).

Song from No Man’s Land

  1. Before I Go
  2. Gerico
  3. Standing with Sally
  4. Da lontano
  5. Latin Song
  6. Norway
  7. Für Louis
  8. Hey Joe
  9. Samba per mi
  10. Bus Stop Blu
  11. L’attesa è lunga
All tracks written by Sergio Contrino
Lyrics of (3) written with Ellie Warr
Latin Song text by Ovid (Tristia, 1.3)

better than TV

    Alastair Appleton: sax
    Ben Comeau: piano (4, 5, 6, 7)
    Cassie Gorman: voice
    Daniel Duffy: guitar
    Gabriel Bliard: trumpet
    Joe Davighi: drums
    Louis Day: trumpet (4, 6, 7)
    Luke Congdon: piano
    Rowan Haslam: voice (1, 8) and cello
    Sergio Contrino: bass
    Simon Fothergill: trombone
Recorded by John Ward and Jes Kerr on September 14th, 2016 and April 30th, 2017 at Anglian Ruskin University, Cambridge
Mastered at Metropolis Studios by Andy ‘Hippy’ Baldwin
Mixdown Engineer: John Ward
Produced by John Ward and Sergio Contrino

Wednesday, 29 July 2015

Late

by Better Than TV

When I was in Cambridge earlier this year, my friend Sergio told me that his band is about to release their debut CD any day now. When it finally was released, he promptly sent me a copy to Gran Canaria.

I heard one of incarnations of Better Than TV performing live in Cambridge some years ago, and then again what was (approaching) its current line-up rehearsing at Sergio’s house in 2013, the very day I unsuccessfully tried to enjoy, also on Sergio’s suggestion, the May Bumps. So it was not exactly unfamiliar stuff, but I still was impressed by quality of music on this record. (For the record, all tracks were captured live, something I would not say, er, without looking at the CD sleeve.)

What is Late? Not exactly cutting edge of modern jazz but, as Bertie Wooster could have put it, there is a time for cutting hedges and a time for not cutting hedges. In fact, I am quite happy away from being cut by any edge provided that I am not bored. And Better Than TV — indeed, quite unlike TV — won’t keep me bored. They could have easily put in a few standards (and make a good job of that too) but no, we’ve got nine originals, all penned by Sergio, and quite diverse at that. Latin-ish groove here, funky theme there, blues yonder, a bulería at 5 pm, a samba later, and so on and so forth in a stylistically united variety. My favourite so far is Morse, a beautifully hummable upbeat jazz-waltz, with just right balance of discipline and improvisation (incidentally, it is the shortest track on the album). But really there are no weak cuts here, and the band consistently shines without showing off. Respect.

The only minor annoyance is the not-so-well “hidden” track in the end. Why anyone still bothers to hide the tracks anyway? Just call it track #10 and tell me when it was recorded.

Independently produced, not even on an “independent” label but without any label, Late is a quiet but confident debut of a label-free band. Given that it was recorded two years ago, one should expect a follow-up soon... please?

Late

  1. 1000 and one
  2. Standing with Sally
  3. Elliulogy
  4. Morse
  5. pm
  6. FEAB
  7. Samba per mi
  8. Se volete
  9. Late
  10. Standing With Sally (alternate take)
All tracks written by Sergio Contrino

better than TV

    David Burgoyne: piano
    Ed Blake: drums
    Gavin Spence: trumpet, flugelhorn
    Sergio Contrino: electric bass
    Tom Green: trombone
Recorded live at Churchill College Music Centre, Cambridge
Tracks 1—5 recorded by Tom Howe on 10/6/2013
Tracks 6—9 recorded by Andy Cross on 8/12/2013
Mixdown Engineer: John Ward
Mastered at Metropolis Studios, London by Andy ‘Hippy’ Baldwin
Produced by Sergio Contrino and John Ward

Monday, 22 July 2013

Cycling in Corralejo

A BBC report says that Cambridge is “Britain’s top cycling city”. If this is indeed so, I feel sorry for the rest of Britain. For Cambridge, the last time I was looking (last month), is still far from being truly cycle-friendly. Unfortunately, there are no shortage of cyclist haters in Britain. This hatred is often based on a belief that it’s them, motorists, who are paying the mythical “road tax” while the rest are (equally mythical) “road tax dodgers”. On the other hand, (some of) the cyclists in Cambridge are arrogant like nowhere else. When Douglas Adams wrote about “a cyclist, who cursed and swore ... from a moral high ground that cyclists alone seem able to inhabit”, I’m sure he meant Cambridge cyclists.

I bought my first bicycle in 1998, shortly after moving to Cambridgeshire, in a hope to use it for my work commute. Back then, I had this mental image of Cambridge as a safe cycling place, which I by some reason extended to the rest of the county. The reality was different. The semblance of the cycling path was disappearing half-way from the village, and I was never feeling suicidal enough to hit the motorway. And so, for the next 13 years, my Integra Phantom was resting. (Resting, not rusting. It started to rust only here.)

I resumed cycling two years ago, in Corralejo. My first week here, I bought a budget Berg. Both Yuri and Timur were learning cycling on it, and then Yuri was using it daily, so it suffered a lot. In two years, I changed the pedals, wheels, gears, brakes (twice), saddle (twice), tyres (twice), countless inner tubes... well more or less everything apart from the frame and the chain. I reckon I invested in it at least twice as much as it was worth new. Still, cycling is the way to go in Corralejo. From our house, it is a 15-minute ride to the school and the same to Flag Beach.

When my old bike has finally arrived from England, I took it for a check-up to the sports shop where I bought the rest of our bike fleet. That’s when and how I learned (from “my” mechanic) that the brake levers in left-side-driving countries are the other way round compared to the rest of the world.

Now Corralejo is reasonably crime-free but one day Timur phoned from the school and said that his bike has disappeared. By that time, it also was a well-battered contraption scarcely worth stealing. Still, I went to the police to report the incident, if only for the sake of the experience. Needless to say, I never heard back from them.

Cycling in Corralejo is a breeze. Not because of the infrastructure — the cycling paths can be good, bad or absent — but thanks to the attitude. ¡Tranquilo, hombre! It’s only guiris (foreigners) who wear cycling helmets. Nobody bothers with hand signals either. The motorists normally leave the cyclists in peace; the cyclists don’t seem to be excessively irritating either. For me, the major annoyance comes in form of obese pedestrians who insist on crawling three or four a-breast, taking all of the pavement and a cycling path.

Ironically, just as we are planning to move, they, at long last, finished the re-surfacing of the high street and even put the new bike parking racks. If you are visiting Corralejo, think seriously of renting a bike. If you are moving in... do you need a second-hand one?

More photos of Fuerteventura @ Shutterstock.

Saturday, 28 July 2012

Wandlebury Family Picnic Concert

Remember I wrote last year of Luton Carnival being my last gig with Arco Iris? Well, never say never.

Today Arco Iris played at Wandlebury Family Picnic Concert as a part of the Cambridge Summer Music Festival. As it happens, I am in London now, so I made my way to Cambridge for this occasion. We had a smallish but good band today. The weather was nice, the audience was sitting/laying/crawling on grass, and we’ve got some children engaged in rhythmical clapping. And it seems that I remember most of caixa parts.

Friday, 20 January 2012

Dirk Gently’s Holistic Detective Agency

by Douglas Adams

By some reason, I never read this book before we moved to Fuerte.

Now I did. I really think the writing is the Adams’s best.

Know what, Cambridge is not that bad after all. Monty Python, Pink Floyd and DNA — I mean, of course, Douglas Noel Adams — are more than enough to vindicate the place. And now I learned that St. Cedd’s even used to have a time machine.

“But that can’t work, can it?” said Richard. “If we do that, then this won’t have happened. Don’t we generate all sorts of paradoxes?”
Reg stirred himself from thought. “No worse than many that exist already,” he said. “If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don’t. It’s like a human body, you see. A few cuts and bruises here and there don’t hurt it. Not even major surgery if it’s done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
“That isn’t to say that if you get involved in a paradox a few things won’t strike you as being very odd, but if you’ve got through life without that already happening to you, then I don’t know which Universe you’ve been living in, but it isn’t this one.”

Sunday, 15 May 2011

Disability Sport & Arts Festival @ Chesterton

According to my records, I have been playing with Arco Iris for two years already! Is there a better way to celebrate this than with a gig like today’s? AI played two sets for the Disability Sport and Arts Festival at Chesterton Sports Centre (11:30—12:15pm and 13:30—14:30). As venues go, this one was a bit strange (basically, we were playing in a car park), but then we’ve played stranger locations. During both sets, the audience (including the mayor of Cambridge on agogô) joined in!

Tuesday, 29 March 2011

Van der Graaf Generator @ The Junction

Did I mention already that there are no venues in Cambridge suitable for rock concerts? If not, then this is the moment to reiterate: there are none. Unless the audience is less than a hundred people, that is. I went to see Van der Graaf Generator yesterday at The Junction 1. Man it was crowded. Well, maybe it only was couple of hundred people, but that’s exactly my point: even that is more than enough to block your vision. There are no seats except for a few bar stools to perch upon. And beer is expensive too.

There was no support band and VdGG started just as advertised, precisely at 20:30, and were playing non-stop till 22:15. In its current incarnation, VdGG consists of Peter Hammill (piano, guitar, vocal), Hugh Banton (organ) and Guy Evans (drums). I always fancied the idea of rock trio with an awesome drummer and two keyboard wizards sitting there outwizarding each other, and that was how the show started. (Evans’s drumming was consistently magnificent throughout the whole evening.) Wonderfully dark, mysterious, full of odd time signatures... I would love it if not for singing. No, I did not like Hammill’s vocal (whether meant or not, singing out of tune irritates me) and, on rare occasions when I was able to discern the lyrics, I did not enjoy the lyrics either.

If I was in a position to hand out any stars, this is how I would do it: musicianship, four and a half stars (out of five); singing: two stars; venue, two stars.

Tuesday, 1 February 2011

Drumming for LGBT History Month — again

Today — just like a year ago — Arco Iris (renamed “Arco samba band” by Cambridge City Council) were supporting the Lesbian, Gay, Bisexual and Transgender History Month by playing at the Market Square from 12:00 to 12:30. We had a good, tight (even if I say so myself) 20-strong band, and freshly painted over the weekend drums (some of them still wet). And this time, we were announcing the raising of the rainbow flag with a drum roll! During and after the gig, scores of local paparazzi were clicking away, so I expect at least some photos and movies in Cambridge News.

Saturday, 4 December 2010

Mill Road Winter Fair 2010

My, the time is flying: it’s Mill Road Winter Fair again! Luckily, it was not as cold today as for the whole of this week. The mini-parade led by Arco Iris started from Ditchburn Gardens at 2:30 pm. We were supposed to arrive at Argyle Street Housing Co-operative (the same spot as last year) at 3:00, but, given the distance, we did it about quarter an hour earlier. Then we played a 30-minute static set. We had a good 50+ strong band which sounded great — I mean, even greater than usual. The photos are to follow.

This was our last gig of 2010.

Saturday, 6 November 2010

Addenbrooke’s fireworks again

Just like last year, Arco Iris played two very loud sets at Addenbrooke’s, pre- and post-firework display. The programme included our new-ish maracatu piece which, as far as I know, we never played in public before. Also, this was Arco Iris’s first gig featuring yours truly on repinique. I did not really intend it, but, since far too many people signed up to play caixa this time, I did volunteer. To my horror, I turned out to be the only (non-leader) rep player tonight. So when the leaders were doing their leading stuff, I was playing, um, whatever I could recall from my few rep practice sessions. Ah well, nobody was complaining.

More photos of fireworks @ Shutterstock.

Monday, 8 March 2010

Cam Bridge Peace Event

Today is the International Women’s Day. To support Women for Women International’s Join me on the Bridge campaign to “build the bridges to peace and development”, Arco Iris were drumming at the Magdalene Bridge at 1 pm. In a nice touch, Caffè Uno staff presented us with a bunch of helium balloons! More pictures to follow.

Sunday, 21 February 2010

崖の上のポニョ

a film by Hayao Miyazaki

Three good reasons to watch Ponyo in Arts Picturehouse:

  1. No trailers.
  2. It is screened in original Japanese with English subtitles, rather than dubbed.
  3. It is not shown anywhere else in Cambridge — can you believe that?
The film is obviously inspired by The Little Mermaid, but don’t let it put you off. A wonderful anime for all ages. Watch it now!

Monday, 1 February 2010

Drumming for LGBT History Month

Today, Arco Iris were supporting the Lesbian, Gay, Bisexual and Transgender History Month by playing at the Market Square, from 12:30 to 13:00. Alas, they did not wait for us to raise the rainbow flag over the Cambridge City Council — it was there already at midday.

Colourful celebration starts LGBT history month

Sunday, 24 January 2010

Busking for Haiti

Today, Arco Iris performed to raise money for the victims of the earthquake in Haiti. We played a 15-minute set in front of the Guildhall at 12:30 pm, then paraded around to the corner of Market and Sidney Streets to do another 15-minute set. It was the biggest band I ever played: 45 players, plus three bucket-holding kids looking cute and collecting donations! (Yes it does pay to look cute.) All the money collected are going to Médecins Sans Frontières and Oxfam Haiti relief efforts.

Friday, 15 January 2010

Gilad Atzmon & Strings @ The Junction

I don’t like “jazz with strings”. More often than not, it sounds like strings without any jazz. But it is always good to challenge the stereotypes. Gilad Atzmon’s take on Bird with Strings is much more than a tribute to Charlie Parker. As Atzmon put it himself, it could as well be Bird’s take on Gilad with strings. Provided that Parker was born in Kabul. Or Baghdad. Or Damascus.

Tonight’s set started with Everything Happens to Me followed by another ballad that was introduced as Round Midlands; these were good enough but I thought the band was a bit tense. Or maybe the Sigamos String Quartet was superfluous at that stage. Middle-Eastern flavoured The Burning Bush was great. After that, they played a tango (don’t remember if it was introduced at all) where the band and string quartet were mixing seamlessly.

The second half was opened with an achingly beautiful piece (afraid no name again) featuring Atzmon on clarinet, accompanied by strings only. And then there were some more. Gilad’s duo with Frank Harrison was hilarious. They saved Laura (also from Bird with Strings) for an encore, and when the Sigamos ladies left (for London, we were told), the band played another encore, What a Wonderful World.

Gilad Atzmon is one of the greatest sax players alive. Sure, his music is not everybody’s cup of tea, but still, how come that tiny Junction 2 was not even full?

Sunday, 20 December 2009

Parker PM-20

by Parker Guitars

One year ago to the day, I was browsing through Cambridge music stores in a hope to buy a new Spanish guitar for myself. I did not succeed. Instead, I found this little beauty.

Well, I never had my own electric guitar before (I am not talking about bass guitars), but I’ve had a few in my hands. I liked this Parker better than any other instrument I tried so far: a pure pleasure to play. I just couldn’t leave it in the shop.

More photos of electric guitar @ Shutterstock.

Saturday, 5 December 2009

Mill Road Winter Fair 2009

Today, Arco Iris played two sets at the Mill Road Winter Fair: at 2:15 pm by the Argyle Street Housing Co-Operative (next to the bridge) and at 4.45 pm by the Parkside swimming pool. It started to rain just before the second set, but luckily we had a great support from the audience who were braving the elements for 45 minutes or so. The photos and a movie to follow.

This was our last gig of 2009.

Thursday, 26 November 2009

Arco Iris on Ice

I thought, since I am not employed any longer, I won’t attend any more meetings. But no. Arco Iris had an AGM yesterday, instead of the second half of the practice. With chairperson, minutes, reports etc. Luckily, this only happens once a year, and in fact it was rather interesting, though it did not finish in time. I had to rush to train and did not exercise my right to vote (elections of the next committee).

Among other stuff, I learned that Arco Iris played impressive 36 (!) gigs this year. I am glad that I have contributed to some of these events.

Today was my tenth gig with the band. Also it was the longest set so far (one-hour set by the ice rink on Parker’s Piece, as a part of the Cambridge Music Festival). And the coldest. Maybe we did not sound our best tonight, but the ice skaters looked as if they were enjoying the music.

I need tea.

Monday, 16 November 2009

July Morning

by Uriah Heep

The very same day, 16 November 2008, after the Christmas Lights Switch-On (see the previous post), I was heading towards The Junction. I was torn between two choices: Uriah Heep or Mor Karbasi? It could be so much easier if they had these two concerts on different dates! In the end, I decided that Mor Karbasi is young and will be around for a while, while Uriah Heep are old and this is my only chance to see them live and alive. (I am glad that I was wrong: Heep played in Cambridge again this year.) Also, I wanted to see Uriah Heep for at least 30 years, that should count too.

No regrets then. Supporting act, the heavy rockers Maccara, were brilliant, especially the singer Hollie Evans. What a voice! But the main course was simply mindblowing. I never saw a ’70s band in such a good shape. (Also, it looked like I was younger than everybody else, except for Maccara guys.) The Heep were promoting their Wake the Sleeper album and played every single song. Plus some great oldies: Look At Yourself, Easy Livin’, Gypsy (starting with an astounding keyboard solo), Lady In Black and, of course, July Morning. That was a solid two-hour set which left me speechless (and half-deaf). Was it worth waiting for all these years? Absolutely.

There I was on a July morning
Looking for love
With the strength of a new day dawning
And the beautiful sun

At the sound of the first bird singing
I was leaving for home
With the storm and the night behind me
And a road of my own

With the day came the resolution
I’ll be looking for you

I was looking for love
In the strangest places
Wasn’t a stone
That I left unturned
Must have tried more than a thousand faces
But not one was aware
Of the fire that burned

In my heart, in my mind, in my soul
Uriah Heep live in Cambridge

Sunday, 15 November 2009

The Big Switch-On 2009

On Sunday, 16 November 2008, I went to the centre of Cambridge to see the Christmas Lights Switch-On. I joined the parade inconspicuously somewhere around Christ’s Pieces, behind a samba band. It was cold and miserable but I really enjoyed the experience.

One year later: The Big Switch-On again but now I am in the samba band and guess what, it was even better. At 4 pm, we started from Grafton Centre and paraded for about 45 minutes towards the Market Square, looking all festive and sparkly and making most glorious noise. Luckily, the weather was nothing like yesterday. And it is always nice to have people dancing and cheering and taking photos and asking: “What’s the name of the band?” or “Are these <hair> real?”.

What I use (as if anyone cares): Vic Firth® Alex Acuña “El Palo” sticks, Town & Country light duty gardening gloves (so my hands are warm and the sticks don’t slip) and Cool Glow™ accessories (six hours later they still glow).