Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Wednesday, 9 September 2026

По волне моей памяти

by David Tukhmanov

Fifty years ago, there was no Soviet disco that wouldn’t play the impossibly catchy «Из вагантов» (From Goliard Poetry). I had no faintest idea who goliards were, and it seems that neither the composer nor the singer did. Another thing I didn’t know at the time was that this schlager came from a freshly released LP «По волне моей памяти».

A few years later, I finally heard it as a whole, once again, thank to my cousin who brought the vinyl to our house. My I was impressed, expecially by Good Night sung entirely in English. Three more songs included verses in a foreign language: French in Sentimental Journey, German in Heart, my Heart, and Polish in Dedication in the Album*. I didn’t expect that from a composer of patriotic songs like «Мой адрес — Советский Союз» (My address is the Soviet Union) and «День Победы» (Victory Day). Cool.

Somewhat disappointedly, the title track did not have any Spanish in it. The original poem by Nicolás Guillén, as I just learned, is called Agua del Recuerdo. Maybe it’s not the Russian version of it (the only one I knew until now) as such but its interaction with the tune that makes me cringe. Which is a shame really because the music is magical. Who plays the flute, I wonder?

Then again, the whole album is magical, and has to be listened to non-stop from the beginning to the end many times in a row. Every song has a twist or three in it. Whether it is a journey from soul-funk to baroque and back in Heart, My Heart, followed by a reprise of the jazz-rock theme from the opening track, or the psychedelic From Sappho, 2.5 millennia later reimagined as Confusion which also quotes from Sentimental Journey — you can’t help wondering what else is hidden there and wanting for more.

Alas, more was not to be. «По волне моей памяти» stands as sui generis in Tukhmanov’s discography. It was not the first conceptual art/prog/any rock album made in the USSR — Alexander Gradsky recorded «Размышления Шута», also based on classical poetry, a few years before — but it remains the most influential Soviet record of the 1970s, and definitely Tukhmanov’s best.

По волне моей памяти On a Wave of My Memory
I сторона Side A
  1. Я мысленно вхожу в ваш кабинет (Максимилиан Волошин)
  2. Из Сафо (Сапфо, перевод Викентия Вересаева)
  3. Из вагантов (ваганты, перевод Льва Гинзбурга)
  4. Приглашение к путешествию (Шарль Бодлер, перевод Ирины Озеровой)
  5. Доброй ночи (Перси Биши Шелли)
  1. I Step into your Study in my Thoughts (Maximilian Voloshin)
  2. From Sappho (Sappho, translation by Vikenty Veresaev)
  3. From Goliard Poetry (translation by Lev Ginsburg)
  4. Invitation to a Journey (Charles Baudelaire, translation by Irina Ozerova)
  5. Good Night (Percy Bysshe Shelley)
II сторона Side B
  1. По волне моей памяти (Николас Гильен, перевод Инны Тыняновой)
  2. Сентиментальная прогулка (Поль Верлен, перевод Ариадны Эфрон)
  3. Сердце моё, сердце (Иоганн Вольфганг Гёте, перевод Вильгельма Левика)
  4. Смятение (Анна Ахматова)
  5. Посвящение в альбом (Адам Мицкевич, перевод Семёна Кирсанова)
  1. On a Wave of my Memory (Nicolás Guillén, translation by Inna Tynyanova)
  2. Sentimental Journey (Paul Verlaine, translation by Ariadna Efron)
  3. Heart, my Heart (Johann Wolfgang von Goethe, translation by Wilhelm Levick)
  4. Confusion (Anna Akhmatova)
  5. Dedication in the Album (Adam Mickiewicz, translation by Semyon Kirsanov)
    Музыка и аранжировка Давида Тухманова
    Литературный материал подобран Татьяной Сашко
    Music composed and arranged by David Tukhmanov
    Literary source selection by Tatiana Sashko
    Борис Пивоваров — гитара
    Аркадий Фельдбарг — гитара-бас, скрипка
    Владимир Плоткин — ударные
    Давид Тухманов — фортепиано, орган, синтезатор, электропиано
    Boris Pivovarov: guitar
    Arkady Feldbarg: bass guitar, violin
    Vladimir Plotkin: drums
    David Tukhmanov: piano, organ, synthesizer, electric piano
    Mehrdad Badie: vocals (1, 5)
    Natalia Kapustina (Natasha Shneider): vocals (2)
    Igor Ivanov: vocals (3)
    Alexander Byrykin: vocals (4)
    Vladislav Andrianov: vocals (6)
    Sergey Belikov: vocals (7)
    Alexander Lehrman: vocals (8)
    Liudmila Barykina: vocals (9)
    Sound engineer: Nikolai Danilin
    Cover design by Alexander Schwartz

* In this track, the first half is sung in Polish and the second in Russian.
The singer’s name was not listed on the album cover because of her emigration to the USA.
The singer’s name was not listed on the album cover because of his emigration to the USA.

Tuesday, 19 May 2026

So

by Peter Gabriel

The only record of Peter Gabriel I ever owned on vinyl was manufactured in the USSR and entitled simply «Питер Гейбриэл» (apparently, they weren’t so sure how to translate So to Russian, and the spelling «Гейбриэл» must have looked innocent back then).

I also had a curious double compilation album Greenpeace Breakthrough (1989) which included the So opener «Красный дождь» (Red Rain). I completely forgot that, in addition to Peter Gabriel (now as Питер Гэбриэл), it featured Sting, Grateful Dead (Грейтфул Дэд), Sade (Шаде) and Dire Straits (Дайер Стрейтс)!

About the same time, I first spotted Sledgehammer and Big Time music videos on 2×2, the first commercial TV channel in the USSR. Man I was impressed.

The covers of the So songs abound. I love Sledgehammer by Morgan James...

...and Mercy Street by Rosegarden Funeral Party.

But nobody makes Peter Gabriel covers better than Gabriel himself, with a little help from his friends. My favourite So re-interpretations are Don’t Give Up as a duet with Tracy Chapman...

...and In Your Eyes with Youssou N’Dour, Angélique Kidjo and Soweto Gospel Choir.

Monday, 31 March 2025

Free live music and stuff in Las Palmas, March 2025

What we’ve seen in March.

And exhibitions:

And that was it for March.

Friday, 30 June 2023

Live music in Las Palmas, June 2023

This month I was doing a course in the afternoon and so unfortunately missed all the weekday shows. This is what I’ve seen (on weekends, of course):

  • 10 June: La Trova @ Auditorio José Antonio Ramos, Parque Doramas, Las Palmas de Gran Canaria

  • 17 June: «Volver. Tango Sinfónico» @ Plaza de Santa Ana

  • 18 June: Momi Maiga @ Teatro Guiniguada, Plaza F. Mesa de León
      A great show by Momi Maiga (kora, vocals, percussion), Marçal Ayats (cello), Carlos Montfort (violin, bass guitar, percussion) and Aleix Tobias (drums, percussion), with Alba Gil Aceytuno (sax) joining for a final jam.

  • 24 June: «Música en el corazón de Vegueta» @ Vegueta, various locations
      A lot was going on in Vegueta but in the end we went to see N’Trío featuring flautists Dalila Díaz, Gladys Pérez Molina and Paulina Niemczycka (Casa de la Iglesia 1, calle Doctor Chil, 17); trio of Pino Quimont (vocals), Miqui Delgado (piano) and José Carlos Cejudo (bass) next door (Casa de la Iglesia 2); and pianist Luis Sánchez (Fundación MAPFRE, calle Castillo, 6).

Really looking forward to July.

Sunday, 30 April 2023

Live music in Las Palmas, April 2023

This is what I’ve seen in April:

  • 1 April: «Tarasca» @ Auditorio José Antonio Ramos, Parque Doramas, Las Palmas de Gran Canaria
      A show by Compañía Pieles, featuring José Félix Álvarez, Laura Álvarez, Fátima Rodríguez (vocals), Juan Antonio Mora (double bass), Itahisa Darias (violin), Jeremías Martín (piano, accordion), Fernanda Alonso (flute), Ventor de la Guardia, Fede Beuster, Jonatan Rodríguez, Carlos Castañeda and Guillermo Molina (percussion).

  • 12 April: Coro vocal & Grupo coral @ Palacete Rodríguez Quegles, Calle Benito Pérez Galdós, 4
      The first of three concerts dedicated to the 50th anniversary of Conservatorio Profesional de Música de Las Palmas de Gran Canaria. I didn’t know until now that Palacete, bought 50 years ago by the Auyntamiento, was the first home of the Conservatory until, 16 years later, it moved to the bigger building. Featuring voices of Cristina Batista, Kati Brzoska, Gaire Concepción Suárez, Ana Falcón Muñoz, Noemi González, Jennibel Hernández, Joel Hernández Díaz, Paula Herrera Hernández, Teresa de Los Ángeles Rodríguez Vázquez, Daniel Marrero González, Francesco Pisapia, Andrea Quintana and Herminia Sánchez Déniz, accompanied, in turns, by Cristina Díaz Álamo, Diego Rodríguez Ramírez and Ulrika Törnros (piano) and Mireia Santana (guitar). The complete programme of the evening is available here.

  • 15 April: «Recordando a Nino Bravo» @ Plaza de Santa Ana
      Serafín Zubiri and Banda Sinfónica Municipal de Las Palmas de Gran Canaria conducted by Juan Roda, with special guest Cristina Ramos, paid a tribute to Nino Bravo, on occasion of the 50th anniversary of the singer’s untimely death.
  • 19 April: Grupos de cámara @ Palacete Rodríguez Quegles
      The evening of classical chamber music. Featuring talents of Ysaren García, (violin), Ayose Alonso (violin), Celia Santana (cello), Inés Alén González (flute), Adriana Cabrera Almeida (clarinet), Clara Reyes (violin), David Martín (violin), Nuria Hernando (cello), Indara Saavedra (violin), Claudia Ramírez (cello), Marta de J. López Falcón (flute), Paqui Santana Pérez (flute), Fernando Barrio (bandurria), Eleazar Pérez (bandurria), Aarón Díaz (laúd), Marta García (guitar) and Sofía Pérez (guitar). The complete programme is available here.

  • 22 April: Mayte Martín «Tatuajes» @ Auditorio José Antonio Ramos
      A new programme by the Catalan cantaora, accompanied by Nelsa Baró (piano), Guillermo Prats (double bass), and Vicens Soler (drums), covering standards such as Eu sei que vou te amar, La bien pagá, Ne me quitte pas and Procuro olvidarte.

  • 26 April: Piano @ Palacete Rodríguez Quegles
      The evening of piano music, with (in the order of appearance): Lidia Tabraue Santiago, Clara Quintana Jiménez, Darío Díaz-Flores Martín, Lía Zimmermann González, Valentina Cabrera Kalinina, Martina Gómez Vázquez, Aaron Grande Castilla, Valentina López Jáuregui, Ariadna Dipierri Romero, Irene Caballero Cerpa, Jorge Vega Saavedra, Noah Mesa Martínez, Luis Rodríguez González, Laura Salazar Sánchez, Orlando Cabrera Martín, Diego Rodríguez Ramírez, Yeling Li Ye, Miguel Raith Corimanya and Miguel Alonso Corimanya. The complete programme is available here.

  • 27 April: Pedro Martínez @ Teatro Guiniguada, Plaza F. Mesa de León

  • 29 April: La Mare @ Espacio Cultural Jesús Arencibia, Avenida 8 de Marzo / Rotonda Cruz del Ovejero
      With La Mare (vocals, Spanish guitar, pandero cuadrado), Pablo López (bass, vocals) and Xerach Peñate (drums, vocals). This is the first time we’ve been to the brand new (opened this February) Centro de Actividades Culturales y Comunitarias Jesús Arencibia in Tamaraceite. The verdict: nice concert venue, with really comfy chairs; accessible by public transport (city and Global buses); not particularly well-advertised so the auditorium was not exactly full. I wouldn’t know about this concert if not for a note on Xerach’s Facebook page.

And that was it for April.

Saturday, 30 April 2022

Live music and stuff in Las Palmas and Santander, April 2022

April came and April went. Here’s a summary:

  • 1 April: Cuarto Burlé @ Auditorio José Antonio Ramos, Parque Doramas, Las Palmas de Gran Canaria
      Cuarto Burlé, a reincarnation of Flor de Canela, was playing as a part of the clown festival «Mujeres con narices». Xerach Peñate (drums, vocals), Núria Balaguer (vocals, percussion), Marta Bautista (bass, vocals, percussion), Paula Vegas (keyboards, vocals, percussion) and Dani Barcala (guitar).

  • 6 April: «Herencia flamenca» @ Palacete Rodríguez Quegles, calle Benito Pérez Galdós, 4
      The first show from the cycle «Acento flamenco» featured Miguel Carmona (cante, cajón), Antonio Heredia (guitar) and Laura Heredia (baile).
  • 9 April: Musicando @ Auditorio José Antonio Ramos
      Musicando is 100 — well, not years, but 100 concerts since it started in 2016. The 100th Musicando concert featured Osvaldo Hernández (drums), Néstor García (guitar), Diego Martín (flute), Leandro Ojeda (bass), Totó Noriega (percussion), Yone Rodríguez (musical direction, timple and guitar), Josué Santana (piano); the singers Patricia Muñoz, Mara Pérez, Iván Quintana and Fabiola Trujillo; Yul Ballesteros (guitar), Hirahi Afonso (timple), Miguel Afonso (accordeon); Mojito con Morena (Totó Noriega, Sofiel Del Pino, Marta Bautista and Carlos Martín Brito); verseadores Yeray Rodríguez, Luz Mila Valerón, Francisco Sánchez and students of CEIP Santa Bárbara.

Back (or forward?) to Santander...

  • 4 March — 1 May: «Piel y pulpa» @ El Palacete del Embarcadero, Muelle de Calderón, Santander
      An intriguing exposition by the Basque artist Marisa González.

  • 20 April: Antonio Gamaza Quartet @ Rvbicón, Calle del Sol, 4
      Antonio Gamaza (piano), Roberto Gamaza (drums), Iván San Miguel (double bass) and Javier San Miguel (saxophones). The complete concert is available here.

  • 24 April: MAR (Micrófono Abierto Rvbicón) @ Rvbicón
      MAR is back! That evening, I felt rather tired and didn’t stay for long (they started about 21:45 instead of 21:00), but I fully intend to come again next time.

  • 28 April: MAES Quartet @ Rvbicón
      A young band from San Sebastian playing hard bop standards. Featuring Nicolás Alvear (guitar), Eneko Arbea (drums), Mikel Legasa (piano) and Jorge Luengo (bass). Watch the full concert here.

  • 30 April: Antonio Canales @ Plaza Porticada
      Throughout the Saturday, there were a number of activities dedicated to the International Dance Day, culminating in a sevillana “flashmob” featuring about 500 dance school students and Antonio Canales. Granted, it was not a real flashmob as “a group of people who rapidly assemble, perform an unusual and seemingly pointless act, and then quickly disperse” — there was nothing rapid about either assembly or dispersal of this crowd, and the event was advertised many days before, and I reckon those who invited Canales must have felt they were getting very little value for money. (It was free for the onlookers like me.) Still, it was nice to see so many dancers enjoying themselves.

Looking forward to more music in May.

Monday, 28 February 2022

Free live music in Las Palmas, February 2022

During this month the obligatory COVID passports for cultural events got scrapped. And there was a lot of events.

  • 2 February: «Si tú me dices ven» @ Palacete Rodríguez Quegles, Calle Benito Pérez Galdós, 4, Las Palmas de Gran Canaria
      Los Tres Aries are Salvador Delgado (vocals, guitar), José Julio Aguilar (vocals, guitar) and Paco José Falcón (requinto guitar, vocals), named so because all three of them share the same Zodiac sign. The trio covered such bolero standards as Cucurrucucú paloma, Quizás, quizás, quizás, El Reloj and, of course, Si tú me dices ven, in addition to the original songs.

  • 3 February: Cubakan «Viaje de ida y vuelta» @ Museo Castillo de Mata, Calle Domingo Guerra del Río, 147
      Afro-Cuban jazz with Canarian flavour. José Alberto Medina (piano), Kervin Barreto (trumpet, flugelhorn, percussion, vocals), Dayron Álvarez (percussion, vocals), Felix López (percussion, vocals) and Jose Angel Campoalegre Valdes (vocals, guitar, cuatro Cubano).

  • 4 February: Skinny Soul @ Museo Castillo de Mata
      Intriguing nu jazz-pop fusion from Alba Vega Leiras (vocal, keyboards), José Carlos Cejudo (electric bass), Luis Sánchez Guerra (keyboards) and Eduardo Fernández-Villamil Menéndez (drums). A rare occasion here when I liked the (original) Anglophone songs more than the (also original) Spanish-lyrics ones.

  • 5 February: «A través del bolero» @ Auditorio José Antonio Ramos, Parque Doramas
      Another good helping of boleros, this time from Gabriel Domínguez (vocals, bassoon) with Osvaldo Hernández (drums), Rayko León (piano), Fofi Lusson (double bass, guitar) and Fernando Rodríguez (percussion).

  • 10 February: Rayko León Quartet @ Museo Castillo de Mata
      Rayko León (piano, compositions and arrangements) with Renato D’Aiello (tenor sax), Carlos Meneses (double bass) and Alberto García (drums).

  • 11 February: Alba Gil Aceytuno @ Museo Castillo de Mata
      21st century prog-rock from incredibly versatile Alba Gil Aceytuno (sax, flute, keys, vocals) with José Carlos Cejudo (electric bass), Alexandre Coulon (drums), Alberto Díaz (trombone) and Luis Merino (guitar), presenting (mostly) music from Alba’s 2021 album Aguayro.

  • 16 February: Raquel Amegashie @ Palacete Rodríguez Quegles
      With Luis Merino (guitar) and Lucas Arencibia (cajon).

  • 17 February: Midnight Soul @ Museo Castillo de Mata
      If you like The Commitments you’d thoroghly enjoy tonight’s electrifying renditions of hits like Chain of Fools, Hit the Road Jack, Treat Her Right and even Satisfaction. Midnight Soul are: Lorena Román, Esther Suárez, Bentejui de Vera (vocals), David Alamo (guitar), Echedey Angulo (sax), Samuel Medina (drums), Dani Morales (bass), Neftalí Ojeda (trumpet) and Emilio Tabraue (keys).

  • 18 February: JazzAire Originals @ Museo Castillo de Mata
      Modern jazz with flamenco overtones. With Sara Brito (flute), Carlos Meneses (double bass), Cristóbal Montesdeoca (piano) and Takeo Takahashi (drums).

  • 24 February: João Frade @ Teatro Guiniguada, Plaza F. Mesa de León

  • 24 February: Javi Montero Jazz Band «Surgere» @ Museo Castillo de Mata
      Powerful vintage jazz-rock. Featuring Javi Montero (drums), José Carlos Cejudo (electric bass), Santiago Miranda (guitar) and David Quevedo (keyboards), with special guest Kervin Barreto (trumpet). Unfortunately, the concert had to be cut short because of the rain.

  • 25 February: «Conversaciones» @ Museo Castillo de Mata
      This evening, the concert was moved under the roof. The duo of violinist Pablo Rodríguez (La Palma) and pianist Humberto Ríos (Cuba) played extended versions of some of their conversaciones, fusing folk, jazz and modern classical music. A beautiful coda to the great series of concerts Cultura en acción organised by LPA Cultura.

And that was it for February.

Saturday, 31 October 2020

Live music in Las Palmas, October 2020

In October, things perked up here. (Postponed from August) TEMUDAS fest, MASDANZA, concerts rescheduled from spring — some days we were really spoiled for choice. And the tickets were flying!

  • 16 October: Flor de Canela @ Alameda de Colón, Las Palmas de Gran Canaria

      By now, we’ve got used to cancellations: festivals, concerts, anything really. So imagine my surprise to discover that the second edition of the Rock & Books festival, organised by Biblioteca Insular de Gran Canaria was taking place bang in the heart of the city, from 15 to 25 of October! And for free entrance and even without customary pre-inscription — how cool is that?

      So I couldn’t miss the chance to see my favourite Canarian band, this time with the artist Miss Mensi (Laura Castilla) who was painting “live” while Flor de Canela were playing. The programme was familiar — I watched streaming of their concert in Edificio Miller on 26 September — but you cannot compare that with live music. I liked their new(er), harder, funkier sound even more.

  • 22 October: «Tributo al maestro: Paco de Lucía» @ Teatro Guiniguada, Plaza F. Mesa de León

      Gautama del Campo (saxophones), Ezequiel Reina (guitar and vocal) and our very own Germán López (timple), with bailaora Rocío Pozo, paid their musical tribute to Paco de Lucía. Fantastic rendition of such themes as Canción de Amor, Zyryab, Gitanos Andaluces (bulerías), Río Ancho, Buana Buana King Kong and, of course, Entre dos aguas; plus Camaron’s La Leyenda del Tiempo — wish you were there.

  • 24 October: Hirahi Afonso «Memento» @ Auditorio José Antonio Ramos, Parque Doramas

      The new Musicando season was opened by Hirahi Afonso (timple) presenting his debut album Memento, with the band featuring Pau Figueres (guitars), Arnau Figueres (percussion), Darío Barroso (guitars), Ismael Alcina (bass) and Rita Payés (voice, trombone), plus guest musicians Belén Álvarez Doreste aka LAJALADA (voice), Claudio Marrero (sax) and Iván Quintana (voice).

With more events coming in November, it’s a shame that I won’t see them. I’m off from Las Palmas for a couple of months to the gloomy mainland.

Friday, 31 July 2020

Free live music in Las Palmas, July 2020

Continuing with «Cultura en acción», by inscription only etc. etc. — man, it does take spontaneity out of the equation. No more “shall we check it out tonight, or maybe not” stuff.

  • 3 July: Ron Voodoo @ Museo Castillo de Mata, Calle Domingo Guerra del Río, 147
      When the name of the band is better than anything else about the band, their performance is bound to be somewhat disappointing. A bunch of middle-aged men playing the 1980s-style pop-rock is not exactly our shot of rum but, as Tamara said, «пусть цветут все цветы». Which, as I just learned, is a Russian version of the Chinese phrase 百花齊放, “Let a hundred flowers bloom”. Another day, another bit of useless knowledge. At least, the setting was spectacular.
  • 4 July: Yanet Sierra Muñoz «Ellas» @ Auditorio José Antonio Ramos, Parque Doramas

  • 16 July: Trío Gabriel Rodó «Un verano de cine» @ Palacete Rodríguez Quegles, calle Benito Pérez Galdós, 4
      Liliana Mesa (violin), Pilar Bolaños (chello) and Ana Marrero (piano) took us on a cinematic journey, from Mozart, Haendel, Schubert and Boccherini to Ennio Morricone, Leonard Bernstein and John Williams. Fantastic.

I wish I were able to see more in July but no such luck. Let’s see what August brings.

Sunday, 15 March 2020

Lola Vendetta y Los Hombres

by Raquel Riba Rossy

I learned about Lola thanks to Lila (pun intended) and, naturally, took this book home as soon as I saw it in the library. I read it in a couple of hours. What can I say? It’s funny, it’s bold, its black-white-red drawings are gorgeous, and... with a protagonist like Lola, you can’t go wrong really. It even does have its own soundtrack (see below). I’d love to recommend it without reservations; as it happens, I do have some.

There’s a Russian idiom «начать за здравие, а кончить за упокой» which, I think, is appropriate here. (I’m still looking for a decent English equivalent. In a meantime, I can offer the German “Als Tiger starten und als Bettvorleger landen”.) You see, Lola Vendetta is a comic heroine and as such is imaginary. Her deeds are exaggerated, as comic deeds tend to be. No matter how satisfying it is to see Lola dispatching the members of a “manada” with her trusty katana — look, I am against violence, and I’m telling you, it is satisfying — we all understand that this is not real. Yet this is how things are done in Lola’s world. On the contrary, when Lola finally hangs up her sword (after finding, um, a cuddly boy she would like to keep), it feels utterly false. Worse still, the book ends with a pathetic “Letter to men” where Lola declares that she does not want to fight anymore. So who, if I can ask, is gonna fight? Didn’t our brother Bob Marley command otherwise?

But there is always a hope for lovers of swift comic justice. I spy your sword in a “break glass in case of emergency” cabinet. It’s only a matter a time, Lola, only a matter a time.

Thursday, 1 August 2019

Theatre and live music in and around Valencia, July 2019

A lot is going on in Valencia and suburbs — I wish I had more time to go around!

  • 5 July: Barana Teatre @ Parc de l’hort del Comte d’Albalat, Albalat dels Sorells, Valencia
      A local mime trio presenting Mut! (“Mute!”). My favourite sketches featured rude flight assistants distributing newspapers and a chainsaw guy unsuccessfully trying to scare (also local) children running around the lawn.
  • 6 July: Sés, Tesa, Amparanoia, Miss Bolivia & Tremenda Jauría @ Jardines de Viveros
      I went to this concert mainly to see Amparanoia. It turned out to be a seven-plus-hours-long celebration of feminist bands which I thoroughly enjoyed, although I wish it were less dominated by rap. Galician folk/rock/blues singer Sés (María Xosé Silvar) was a real discovery.
  • 7 July: Abbas Cantadas @ Espai Cultural, Albalat dels Sorells
      Originally planned to be staged in the patio of the Castle of Albalat, it was moved to Espai Cultural because of the torrential rain. And a good thing too, for I was able to see the most of it after the movie (something I wouldn’t be able to do if the show started as scheduled). The Valencian a cappella group Octàmbuli presented the songs of ABBA as I (and probably you) never heard before. Featuring María Tamarit (soprano), Araceli Batalla (soprano), Sara Lliso (contralto), Aida Correia (contralto), Sergi Bosch (tenor), Javi Piquer (tenor), Miguel Ángel Ariza (baritone) and Agus Casanova (bass).

  • 19 July: Borriana Big Band @ Parc de l’hort del Comte d’Albalat
      A big band led by saxophonist Juanjo Carratalà featuring young Cuban singer Dayana Emma (singing effortlessly in Valencian). A group of elderly ladies behind me provided additional entertainment in form of non-stop chatter and comments such as “¡Muy bien!”, “¡Otra valenciana!”, “¡por Dios!” and so on. I took it that they approved of the music.
  • 27 July: Carolina Araoz @ Nazaret, Valencia
      The XXIII Festival de Jazz de València, of which I saw surprisingly little this year, for the first time arrived to the neighbourhood of Nazaret (Natzaret in Valencian). According to Wikipedia, the name of this barrio has nothing to do with the Palestinian city of Nazareth but is a corruption of a Valencian word llatzeret (lazaret), i.e. hospital for contagious patients. Such hospital indeed existed here since 1720, although by now no physical trace of it has left. In any case, this concert was an historical event. The Peruvian musician Carolina Araoz (saxophones and vocals) was accompanied by Ivan Cebrian (guitar), Aliya Cycon (backing vocals, oud), Patrick Duke Graney (percussion), Sergio Martínez (percussion), Eve Matin (backing vocals, harp), Ricardo Osorno (double bass) and Albert Sanz (keyboards).
Looking forward to more live music in August...

Monday, 1 April 2019

Free live music in Las Palmas, March 2019

Of course, March is the month of Carnival, but there was so much more to see and to hear in Las Palmas for free!

  • 3 March: Olga Cerpa & Mestisay @ Gabinete Literario, Plaza de Cairasco, 1, Las Palmas de Gran Canaria
      This is the first time ever that I went to the Gabinete Literario which occupies the beautiful building of former Teatro Cairasco, bang in the centre of the island’s capital. Olga Cerpa & Mestisay played a daytime concert on Sunday and the hall was full. I found myself in the middle of a queue just outside of the entrance which didn’t move anywhere: “Ta lleno.” A group of people left the queue and went around the corner. In a few minutes, I spied them within, so I followed their example and embarked on search of an alternative entrance. It presented itself as a locked door. I rang the bell (twice). Finally, a lady opened it from inside, telling me once again that it is “a tope” but still, she let me in. I found a place behind the scene and enjoyed the concert thoroughly.
  • 5 March: Carlinhos Brown @ Parque Santa Catalina
      Mr Brown and his fantastic band brought the house down — well, there was no house but the main stage of the Carnival, and everybody was dancing!

    Carlinhos Brown in Parque Santa Catalina

    More photos of Carlinhos Brown @ depositphotos

  • 7 March: Berta Moreno @ Teatro Guiniguada, Plaza F. Mesa de León, Las Palmas de Gran Canaria
      At last! Berta Moreno’s session (once again, thanks to Mousikê La Laguna) was what a masterclass should be. “Are you musicians? What do you play? Who brought an instrument?” she asked. (I didn’t bring anything.) Fortunately, there were two saxophonists and one clarinetist who joined Berta on the stage for a jam.

  • 16 March: Caracoles @ Parque Doramas
      From Tenerife with rumba and love, Caracoles were presenting their new album Flores. A colourful touch: in the middle of the show, a guy with a big bag went around the audience to distribute the “flowers” of bougainvillea. The singer encouraged everybody to grab handfuls (or armfuls) of them, and then on her signal, as she sang the first word of Flores (which, incidentally, is Flores), to throw them into the air. Featuring Nuria Hernández (lead vocals), Fabián Rosquete (percussion), Pedro García (bass guitar), Germán Cuesto (Spanish guitar), Luis Pérez (drums), David González (keyboards), Nuria Herrero (backing vocals), Aborá Cel (backing vocals), Rubén Quintana (trumpet), Alejandro Cabrera (trombone) and Ricardo Melchior (sax).

  • 22 March: Concierto feminista “La igualdad marca el ritmo” @ The Paper Club, Calle Remedios, 10
      I went primarily to see Flor de Canela and they didn’t disappoint! But I am also glad I’ve got to know the other artists, because they play sort of music I don’t listen that much to, and even less so live. Cintia Lund sings very stylish 1980s-feel electro-pop (for want of a better term) and has awesome and also very stylish, stage presence. She was accompanied by Yanara Espinoza (Papaya) on drums and Ricardo on guitar. By the time the last act took the stage, The Paper Club was pretty full. Tremenda Jauría (Madrid), consisting of Mc Chucho, Mc Machete, Mc Larrata and Ganga Dj, is a live testament to the fact that reggaeton, contrary to the stereotype, can be progressive and feminist. The band cleverly mixes it with sounds of cumbia and punk rock. Still, not my favourite music style, and it is a real shame that, when you really want to hear the lyrics, you can’t, thanks to the venue’s dismal acoustics. The show went from more or less 10:30 pm to 2 am.
  • 23 March: Esther Ovejero “Todo sobre Almodóvar” @ Parque Doramas
      What do Cucurrucucú paloma, Ne me quitte pas and I’m So Excited have in common? Why, they all appeared in films by Pedro Almodóvar! They were presented by Esther Ovejero in her spectacular programme “Todo sobre Almodóvar”, together with songs such as En el último trago, Luz de luna, Tonada de luna llena, Puro Teatro and, of course, Volver. The singer from Tenerife was accompanied by Roberto Amor (drums), Patricio José de León (guitar), José Carlos Perdomo (double bass) and David Quevedo (piano).

  • 30 March: Happy Piano Day in Las Palmas de Gran Canaria, various locations (12:00—19:00)
      The Piano Day, takes place on the 88th day of the year (due to the standard number of keys on piano), was created by Nils Frahm in 2015. This year it was celebrated on the 29 March worldwide except Las Palmas de Gran Canaria where they did it one day later... or could it be that Canarian pianos have an extra key?

      The instruments — thankfully, under the tents — appeared in nine locations around the city. I went for a walk to the centre and saw three of them: one in Parque de San Telmo, another on the corner of c/Triana and c/San Pedro and one more on the corner of c/Triana and c/Travieso. On this last spot they installed two upright pianos back-to-back, and Jose Alberto Medina Quintana, one of the organisers of this event, was sitting there playing a duet with Juan Espino. A great idea, I think they should put the pianos around the place more often.

  • 30—31 March: Monopol Music Festival, Plaza de Santa Ana (20:00—01:00)
      The MMF was going from 22 to 31 March, but Timur and I only went to check out the closing concert on the Plaza de Santa Ana. We caught the last song of Lajalada and the first two songs of the Amsterdam-based EUT — then Timur left. I stayed to hear the first song of Mucho and went home, leaving Delafé till another occasion. Of what I heard, it was all right if not great, but the sound left much to be desired: the low frequencies made my guts vibrate way beyond comfortability.
  • 31 March: Julie Fowlis @ Parque Doramas
      What a great way to finish the month: the open-air concert of Julie Fowlis and her band! Mostly Scottish and Irish tunes but also The Beatles’ Blackbird (in Gaelic) and one song in Galician. Apart from singing, Julie was playing tin whistles and Shruti box; also, telling us stories behind the songs (I guess there were not that many Gaelic speakers in the audience). “Do you want some more?” — “Yes!!!” — “We don’t know any more!” But of course they played one more, and while they were playing, Julie said her goodbyes and left the scene... only to reappear a few minutes later with a bagpipe to provide the perfectly Scottish coda to the show.

    More photos of Julie Fowlis @ Shutterstock