Showing posts with label England. Show all posts
Showing posts with label England. Show all posts

Sunday, 24 December 2023

Книга бессмыслиц

by Edward Lear
translated by Mark Freidkin
foreword by Nina Demurova

In the first post-Soviet year, when we had no money and were surviving being permanently drunk on new, as we thought, freedom, I bought this book from a rickety stall somewhere in the vicinity of Park Kultury metro station. I loved it so much that I kept returning to that stall, so many of my friends and colleagues have got it as a gift. Some of its limericks (or parts thereof), in Russian translation, became our cultural references that stood the test of time.

A few years later, already in Leeds, I got hold of Edward Lear’s Complete Nonsense, a gorgeous edition by the Folio Society, with a preface by Quentin Blake.

Wednesday, 16 August 2023

Piranesi

by Susanna Clarke
‘It’s all in the book I wrote. I don’t suppose you happen to have read it?’
‘No, sir.’
‘Pity. It’s terribly good. You’d like it.’
Susanna Clarke, Piranesi

It took ten years for Susanna Clarke to write her debut masterpiece. Another sixteen years passed before she published her second novel. And it was totally worth the wait. Because, you see, Ms Clarke has written a book that’s even better than Jonathan Strange & Mr Norrell. That’s what I call quality.

I don’t think the sixteen year gap was deliberate but the number 16 seems to be important to the author. As in the name of one of the characters. Or the number of etchings in Imaginary Prisons by Giovanni Battista Piranesi (2nd edition; the first edition contained 14). Anyway, it’s a good number.

‘I was the greatest scholar of my generation. Perhaps of any generation. I theorised that this ...’ He opened his hands in a gesture intended to indicate the Hall, the House, Everything. ‘ ... existed. And it does. I theorised that there was a way to get here. And there is. And I came here and I sent others here. I kept everything secret. And I swore the others to secrecy too. I’ve never been very interested in what you might call morality, but I drew the line at bringing about the collapse of civilisation. Perhaps that was wrong. I don’t know. I do have a rather sentimental streak.’

Friday, 20 July 2018

Yuri’s 21st

Here are seven analogue-era, “made in Britain” photos taken in different years by Tamara.

Toddler

Drawing

Cromer, 1998

Yuri and Timur, Saffron Walden, 2000

Autumn in Cardiff

Halloween

Peak District, 2006

And this video I found on my old netbook before taking it to Cash Converters.

Aarhus (back then Århus), 2009

Monday, 24 April 2017

Quadrophenia

a film by Franc Roddam

There was a screening of Quadrophenia in Monopol as a part of, would you believe it, “St.George’s Week” (22—28 April), so Timur and I went to watch it.

The film turned out to be not quite what I expected, even though I didn’t exactly knew what to expect. I love the album which I bought back in my English life. Surprisingly little of it is heard in the film. But then, the album is the rock opera while the movie most categorically is not. The Who’s music is no more (albeit no less) than part of the soundtrack. Now if we forget for a moment about soundtrack, there is simply not enough story, or message, or lovable characters for a two-hour feature. In the same time, as movies go, this one feels very authentic, almost painfully so. For that reason alone, it is worth watching. Also, if anyone needs a cure from misplaced nostalgia for the “good old sixties”, Quadrophenia will supply it.

I mean, London we see is not exactly swinging — not yet, at least; “shithole” would be a more apt description. The idea of a well-spent weekend for Jimmy and his friends is to get high, ride to the seaside and to have a bit of a punch-up with Rockers. Fair enough, yet it all seems to be rather tame. The protagonists, being English, are perpetually embarrassed, on drugs or not, even when chanting “We are mods” (supposedly they have to be euphoric), even when they get lucky (sorry love, love does not enter here). Why, football hooligans must be more passionate. The only guy who has any class is “Ace Face” (played by Sting). Thankfully, there are sparks of humour which make the whole thing watchable.

A masterful film, but in the end I was grateful when it was over.

Monday, 27 June 2016

Watching the English: The Hidden Rules of English Behaviour

by Kate Fox

Long, long time ago, when I was still living and working in England, I bought this book in an Oxfam shop. I loved it so much, I told all my office mates that, if they want to understand anything about the country they live, they have to read it. So they did, in turns. One of my colleagues said that, suddenly, all this (“this” being the weird behaviour of English) started to make sense. I’ve never seen the book again.

As much as I dislike the stereotypes, I found myself agreeing with most of what Ms Fox had to say about the English. Some of these stereotypes are endearing (like sense of fair play, gardening, humour, modesty, etc.), some are not so (hypocrisy, football hooliganism, obsession with class). None of them are exclusively English; it is the particular combination of them that sets the English apart from the rest of humankind.

“Agreeing with most”, I said, but not with everything.

To take a deliberately extreme example, the kind of hand-on-heart, gushing earnestness and pompous, Bible-thumping solemnity favoured by almost all American politicians would never win a single vote in this country — we watch these speeches on our news programmes with a kind of smugly detached amusement, wondering how the cheering crowds can possibly be so credulous as to fall for this sort of nonsense. When we are not feeling smugly amused, we are cringing with vicarious embarrassment: how can these politicians bring themselves to utter such shamefully earnest platitudes, in such ludicrously solemn tones? We expect politicians to speak largely in platitudes, of course — ours are no different in this respect — it is the earnestness that makes us wince.

What?! Watching the English was published in 2004, seven years after New Labour led by precisely this kind of nauseating politician won the general election. With a landslide victory. And that was not the end. Just look at the whole Brexit disaster.

Given that Scotland and Northern Ireland, along with Cardiff and English cities of any size to speak of (no doubt, overrun by bloody immigrants), voted Remain, I can’t help thinking that it is exactly the stereotypical English who, in an act of mind-boggling stupidity, just have chosen to reduce Great Britain to Little England. And there is nothing endearing about that.

So, I guess, a new, post-Brexit edition of Watching the English is in order. One could hope that it would be as fun read as the original.

While I have every sympathy for anyone with a genuine food allergy, the fact is that only a very small percentage of the population actually have such identifiable medical conditions — far fewer than the number who believe they are afflicted. These English chattering-class females seem to hope that, like the Princess and the Pea, their extreme sensitivities about food will somehow demonstrate that they are exquisitely sensitive, highly tuned, finely bred people, not like the vulgar hoi-polloi who can eat anything. In these rarefied circles, you are looked down upon if you have no difficulty digesting proletarian substances such as bread and milk.

If you really cannot manage to have any modish food problems yourself, then make sure that your children have some, or at least fret noisily about the possibility that they might be allergic to something: ‘Ooh, no! Don’t give Tamara an apricot! She hasn’t been tested for apricots yet. She had a bit of a reaction to strawberries, so we can’t be too careful.’ ‘Katie can’t have bottled baby food — too much sodium, so I buy organic vegetables and puree them myself . . .’ Even if your children are unfashionably robust, you must take the trouble to keep up with the latest food-fear trends: you should know that carbohydrates are the new fat (like brown is the new black) and homocysteine is the new cholesterol; the F-Plan diet is out, Atkins is in; and on the genetic-modification debate, the official chattering-class party line is ‘two genes good, four genes bad’. As a rule of thumb, assume that there is no such thing as a ‘safe’ food, except possibly an organic carrot personally hand-reared by Prince Charles.

Friday, 10 June 2016

Jonathan Strange & Mr Norrell

by Susanna Clarke
Magic is not ended in England. I myself am quite a tolerable practical magician.
Gilbert Norrell

I don’t remember when it was the last time I found reading such a thick book so satisfying. Sure, it is long, at 782 pages and 185 footnotes, but not a bit tedious. The only reason it took me about four months was that I read it strictly on weekends, somewhere between going to bed and falling asleep. What I don’t understand though, why it took me more than ten years to start reading it. Ms. Clarke’s first (and so far the only) novel is a great story beautifully told, inventive, tasteful, with just right balance of general scariness and deadpan English humour. I didn’t care much for its protagonists, who, in spite of being “practical magicians”, are rather boring. On the other hand, I grew rather fond of the main villain, the nameless “gentleman with thistle-down hair”: vain and murderous but also generous and, well, charming. It’s a shame he is getting his comeuppance in the end. Or is he?

If you still need any proof that magic has not ended in England, or at least in Yorkshire, read this book.

“Spain is, as your Royal Highness knows, one of the most uncivilized places in the world, with scarcely any thoroughfare superior to a goat track from one end of the country to the other. But thanks to Mr Strange my men had good English roads to take them wherever they were needed and if there was a mountain or a forest or a city in our way, why! Mr Strange simply moved it somewhere else.”

The Duke of York remarked that King Ferdinand of Spain had sent a letter to the Prince Regent complaining that many parts of his kingdom had been rendered entirely unrecognizable by the English magician and demanding that Mr Strange return and restore the country to its original form.

“Oh,” said the Duke of Wellington, not much interested, “they are still complaining about that, are they?”

Sunday, 5 April 2015

Kenneth Rowntree (1915—1997): A Centenary Exhibition

After living for a while here, there and yonder, you start to regard these places as your own. At least I do. I have acquired a habit of calling any of them “our”, in plural. (With all its richness, English language has no direct equivalent of certain basic phrases of, say, Russian. Take a simple expression «а у нас». No, you can’t translate it as “we have”. So I don’t really know how to say «а у нас на Фуэртевентуре» or «а у нас в Сантандере» in English.)

So today I went for a walk down memory lane: from Littlebury to Audley End House to Saffron Walden. In Saffron Walden I had a nice cup of tea in a brand-new café Bicicletta, where I walked in at 15:55, five minutes until closing time. After that, I found myself in Bridge End Gardens, precariously close to the house where we lived for eight years. And then I noticed that the Fry Art Gallery was open. In fact, today is the first day it’s open this year. Inside, they have the Fry Art Gallery 30th Anniversary Exhibition “from Eric Ravilious to Grayson Perry” (I remember most paintings there rather well) and a Centenary Exhibition of Kenneth Rowntree (until 12th July). After a chat with curators (they provided me with catalogues and told me everything that I may possibly want to know about the opening times), I stayed there for a goodish while before heading back to Littlebury.

London has the National Gallery and stuff, I said to myself, and Cambridge has the Fitzwilliam Museum. А у нас в Сафрон-Уолдене — the Fry Art Gallery.

The Cerne Abbas Giant, Dorset

Evening Bather, Essex

Exeter College Barge, Oxford

Falling Rain with Raised Flag

Homage to Verlaine (Chanson d’Autome)

Motel

Putney Bridge Night Scene

Putney Garden

Sky, Sea, North, Umber

The Station Willows, Clare, Suffolk

Toy Boat at Selsey

Water Butt

Winter Garden, Acomb

Wednesday, 29 August 2012

London 2012

For years, London was a place I tried to avoid. I was going there only when I needed to, which typically involved either long-haul air travel or visits to embassies, consulates and other establishments bent on depriving you from money and will to live. The only time I’ve been to the National Gallery was back in 1995, after four long hours spent in the American Embassy. Shudder.

It took me moving to Canaries to be able to appreciate London. (I can’t say “fully appreciate” or “truly appreciate”: for that, one has to live there for a while, and I am not sure if that is ever going to happen.) London was cleaner, friendlier, more exciting and more impressive than any other time I’ve been there. Also, even more expensive than just a year ago.

I’ve been there? This is the first real time I’ve been there. Till now, I’ve only been through London. Greenwich, Natural History Museum, Science Museum, Tower Bridge, V&A — I’ve never been to any of these before. Well worth a return visit, and that says not-a-museum-goer. One day I’ll be back, please keep ’em open for me.

The fact that my stay in London coincided with the Olympics may be, well, just a coincidence. But my new appreciation for the city is probably not. I thought I couldn’t care less about the Games. I was wrong. The Opening Ceremony (which I watched on the telly) was great, what with the Queen and James Bond and Sir Paul. But the bit that really made me — I am going to say now something I never expected to say — temporarily proud to be British was, of course, Mr Bean sketch.

More photos of London @ Shutterstock.

Monday, 20 July 2009

A Little Bird Told Me

by Joanna Eden

Jazz singer, piano player, songwriter and a resident of Saffron Walden: for the hell of me, I can’t figure out why I’ve never seen Joanna Eden live, an oversight I am determined to correct. (Why, she even did perform at R A Butler School last year!) I came across her debut album, A Little Bird Told Me, in Saffron Walden library. It is a beautiful collection of standards (God Bless The Child, Night and Day) and originals, such as I Don’t Smoke and Father’s Day (this latter still gives me goose bumps). For me, her version of Sea Journey is even better than Chick Corea’s.