Tuesday, 17 June 2025

Mabel and Fatty Viewing the World’s Fair at San Francisco & Speedy

The last session of the cycle El resto es silencio by Vértigo.

Mabel and Fatty Viewing the World’s Fair at San Francisco

a film by Roscoe Arbuckle and Mabel Normand

I was hoping for another great short from Normand’s vast catalogue but no. Starring both co-directors, this docu-comedy short is pretty much disposable.

Speedy

a film by Ted Wilde

A feel-good slapstick comedy starring Harold Lloyd as Speedy, Ann Christy as Jane Dillon, Bert Woodruff as Pop Dillon and Babe Ruth as himself.Speedy happened to be the final silent film by Lloyd. I have to add that I’ve enjoyed the Carl Davis’ score for this film much more than that for The Kid Brother.

Friday, 13 June 2025

Burning Your Boats

by Angela Carter
foreword by Salman Rushdie
I started to write short pieces when I was living in a room too small to write a novel in.
Afterword to Fireworks

I was so impressed with Fireworks (also with myself, for finishing it), that I decided to read all of Angela Carter’s short fiction. So I acquired this collection and... nothing happened for the next few years. Last summer, I finally dug it out. It took me about nine months to read it, with breaks.

The book contains four previously published collections, including Fireworks, plus six other stories. Of collected works, The Bloody Chamber is the most conceptually and stylistically coherent one, all that Gothic horror stuff with an exception of more, um, light-hearted Puss-in-Boots. Black Venus is rather uneven. The best stories there are Our Lady of the Massacre, Peter and the Wolf and The Kitchen Child, this latter providing much-needed comic relief. It looks like Ms. Carter was fascinated with wolves: the real ones, were-ones and feral children. I like that.

American Ghosts and Old World Wonders is another mixed bag, redeemed by the tasty Text-Mex-Western Gun for the Devil and delightfully Borgesian The Merchant of Shadows (it made me reach for Internet to check if Hank Mann was really born Heinrich von Mannheim: of course not, and he never made a movie called Paracelsus with Charles Laughton).

While I researched my thesis, I was rooming back there in the city in an apartment over a New Age bookshop-cum-healthfood restaurant with a science fiction freak I’d met at a much earlier stage of studenthood during the chance intimacy of the mutual runs in Barcelona. Now he and I subsisted on brown rice courtesy of the Japanese waitress from downstairs, with whom we were both on, ahem, intimate terms, and he was always talking about aliens. He thought most of the people you met on the streets were aliens cunningly simulating human beings. He thought the Venusians were behind it.
He said he had tested Hiroko’s reality quotient sufficiently and she was clear, but I guessed from his look he wasn’t too sure about me.
The Merchant of Shadows

Tuesday, 10 June 2025

Caught in a Cabaret & The Kid Brother

These films were screened as a part of the cycle El resto es silencio: Normand, Lloyd, Keaton, Chaplin, Fatty y otras sonrisas de antaño by Vértigo.

Caught in a Cabaret

a film by Mabel Normand

Charlie Chaplin’s cinema career began in 1914. Caught in a Cabaret is just one of 36 (!) films featuring Chaplin released that year. Also starring the director, Mabel Normand. Watch for Minta Durfee as a dancer at 20:00.

The Kid Brother

a film by Ted Wilde and J.A. Howe

A classic 1927 comedy starring Harold Lloyd and Jobyna Ralston.

By a strange coincidence, both Mabel Normand and Ted Wilde died at the tender age of 36.

Sunday, 1 June 2025

Free live music and stuff in Las Palmas, May 2025

This is what we’ve seen:

  • 8 May: «Celebrando Canarias» @ Plaza del Pilar Nuevo, Las Palmas de Gran Canaria
      The first of three concerts featuring Germán López (timple) and La Banda Sinfónica Municipal de Las Palmas de Gran Canaria conducted by Juan Roda Sapiña. The full programme is available here.

  • 14 May: Yul Ballesteros Trio «Alma» @ Palacete Rodríguez Quegles, Calle Benito Pérez Galdós, 4
      Yul Ballesteros (guitar), Tana Santana (double bass) and Akior García (drums).

  • 17 May: La Noche Europea de los Museos @ Casa de Colón, Calle Colón, 1
      Gonzalo Macías (guitar) and Ana Gil (vocals, clarinet); Enri Ive (vocals) and Pablo Queu (guitar).
  • 23 May: Carlos Alemán & Rayko León @ Centro Atlántico de Arte Moderno (CAAM), Calle de los Balcones, 9
      With Carlos Eliseo Alemán (flutes), Rayko León (piano), Fofi Lusson (double bass) and Osvaldo Hernández (drums).

  • 24 May: «Del bolero al son» @ Auditorio José Antonio Ramos, Parque Doramas
      Flamencubeando is a band from Jaén who mix flamenco with son, bolero, tango and other Latin American genres, playing the standards such as Alfonsina y El Mar, Lágrimas negras, Nostalgias, Obsesión, Por una cabeza and, would you believe it, Ay Mi Gran Canaria in their own unique style. Featuring Curro Pérez (voice), Luís Delgado (guitar, bass guitar), Fernándo Delgado (piano) and Luis Delgado Jr. (percussion, flute, melodica).

  • 31 May: Ernesto Rossger Trio @ Re-Read, Calle Bernardo de la Torre, 33
      One of these events that are not advertised anywhere. We only learned about it because we were visiting this second-hand book shop almost daily. So, on occasion of the eighth anniversary of the Re-Read Las Palmas, we were treated to almost 90 minutes of jazz/blues/funk/bossa nova fusion, plus beer and snacks. With Ernesto Rossger (electric guitar), Carlos Ayala (electric bass), Alejandro Ramos (drums) and a special guest Louis Moreno (vocals).

An exhibition of historical photography in interesting location:

  • 23 May — 1 June: «Presencia Española en el Sáhara» @ Palacio Militar de San Telmo, Calle Triana, 109

And that was it for May.