Thursday, 10 November 2016

The Worst Man on Mars

by Mark Roman and Corben Duke

No, I didn’t buy this book, I have to confess. I got it for free, a couple of weeks before it was available for sale. Mark Roman sent it to me on strength of my review of his previous book, The Ultimate Inferior Beings. Perhaps he expected (or still expects) that I would write something similarly positive. Perhaps.

But no, no way. And he has only himself to blame. TUIB set such a high standard that it is nigh impossible to beat it, even with TWMOM. So if you really want to enjoy the latter, you’d be better off without reading the former. Which I, sadly, can’t do.

Now, something good about TWMOM. First, it is illustrated. Every single chapter opens with a pic, and there is even a map of the place, complete with a distance to Huddersfield (just in case you were wondering). Second, it is actually quite funny. And rude. At times, very funny and very rude. And very British. Without giving away the story — no more than you’d read in the blurb anyway — the main premise is that Brits are the world leaders at screwing things up. I suspect it was written before the Brexit vote, which was merely a logical conclusion of the said premise. (Now, in the light of the US presidential election, the authors may reconsider it.) Another conclusion would be that, caeteris paribus, Polish robots do a better job than British robots. To fully appreciate some jokes, a smattering of Polish wouldn’t go amiss.

Sometimes the density of cultural and scientific references is so high that it gets in the way of simply enjoying the reading. And some other times, you’d think you’re reading a screenplay rather than a novel. Perhaps The Wurst Men on Mars should indeed be made into an animation series. Just look at those pictures.

A caption identified the man as Jeremy Franklin, Principal Director of NAFA. “Some people exude greatness,” he was saying, “others hide it under a bushel, while there are those who don’t have a scintilla of it in their entire being. Flint Dugdale most definitely belongs to the third category.”

Dugdale, having lost count of the categories, wasn’t sure if this was a compliment or not. Besides, wasn’t a ‘scintilla’ some kind of furry rodent?

A woman, identified as Sarah Wright, NAFA Head of Human Resources, appeared on screen. “No sane or rational recruitment procedure would ever have accepted him. Any job interview, psychometric test, medical examination, or psychological assessment would have filtered him out before he’d even made it through the door; any ranking system would have ranked him bottom of the whole human race – and quite well down a list of orang-utans.”

Now this clearly was an insult. Wasn’t it? Another calming gulp of Stallion was in order.

The programme’s presenter returned. “Of course, it is well known how Flint Dugdale made it onto the mission.” The screen showed archive footage of Dugdale celebrating his win on British reality show Who wants to go to Mars? “The British public, perhaps through an act of collective mischief, voted for him in their millions. NAFA were not so keen.”

Monday, 7 November 2016

Avril et le Monde truqué

a film by Christian Desmares and Franck Ekinci

Timur bought this DVD a few weeks ago. Last Sunday we finally sat down to watch it. Naturally, my first association was “Les Triplettes de Belleville meet Steamboy”, followed by parallels with the Studio Ghibli classics. However, this crazy world is in class of its own. A reminder, if one was ever needed, that the best of French animation is three — or more — standard deviations from the Disney/Pixar/Dreamworks “mean”.

Saturday, 5 November 2016

La princesa de hielo

by Léonie Bischoff and Olivier Bocquet
based on a novel by Camilla Läckberg

I wonder if I would ever read an eponymous Swedish crime novel on which the two Francophone authors based their graphical adaptation. I picked up the Spanish translation of the latter in the library because the Force WiFi connection was strongest in front of the (new or freshly returned) comic book stand. Welcome to Fjällbacka (it’s actually a real place). A murder disguised as a suicide, a suicide disguised as a murder, and quite a few other things that are not what they appear — I just couldn’t put it down.

...and, of course, a love story, right in the middle of the investigation.

Thursday, 3 November 2016

Live music in La Línea, October 2016

I spent September and October teaching English in La Línea de la Concepción. I was told that the town is famous for its flamenco singers. Why, Camarón de la Isla himself lived there for many years. Shame I did not hear or see any flamenco in La Línea, except an impromptu performance from one of our students one Friday afternoon. Apparently, there was a flamenco concert in Eden, a bar on Plaza Cruz Herrera which I visited couple of times because there were free dance lessons (salsa, kizomba etc.) on Fridays. Somehow I missed that show. Luckily, I discovered a great place for live music: Molly Bloom’s, an Irish pub at the very same plaza as Eden. Molly has great atmosphere but drinks are pricey, as one would expect.

  • 7 October: Malaka Youth @ Molly Bloom’s, Plaza Cruz Herrera, La Línea
      An energetic reggae band from Málaga, featuring Nacho Meliveo (vocal), Edu Fernández (drums), Carlos Fernández (keyboards), Camilo Lagreca (guitar) and Antonio Rueda (bass). Sure enough they covered a couple of Bob Marley songs but mostly performed their own material. To my surprise, many punters knew the lyrics.
  • 8 October: Jam Session @ Cortijo El Cartero, El Palmar beach, Vejer de la Frontera
      I did a bit of couchsurfing during these two months and, thanks to my wonderful CS hosts, was able to visit some amazing places not readily accessible by public transport. That Saturday, on El Palmar beach, I went for a sunset swim and then sat down at El Cartero to enjoy a drink and a jam session!
  • 9 October: Edna Brezinska @ Iguana Bar & Restaurant, Vejer de la Frontera
      Edna, a singer-songwriter with fantastic voice and crazy hairdo, was accompanied by Fran Mangas and Jon Ayuga. Jazz, soul, blues, funk... even a song by Nina Hagen! Also, the food at Iguana was delicious (even though slow to arrive).
  • 15 October: Winter Blues Fest @ Cortijo El Cartero
      Exactly one week later, I found myself in the same place at the 4th edition of Winter Blues Fest. Here’s the programme:
      • 15:00, Smoking Alligators (Cádiz)
      • 18:00, Los Hermanos Roncha (Sevilla)
      • 21:00, Los Deltonos (Cantabria)
      I stayed there almost till the end, using the break for a swim (but of course). IMHO, the first act was the best.
  • 16 October: La Reina: tribute to Queen @ Molly Bloom’s
      Strange but true: I’ve never been to any tribute band concerts. Until now, that is. In spite of the show being very late on Sunday night, the pub was packed. La Reina started with Tie Your Mother Down and stayed on the heavier, less obvious side of Queen for the most of the first half. And closer to the end, just for the hell of it, they played Highway Star. I can’t say the singer was quite up to the task but the rest of the band cooked it perfectly. (I think every decent tribute band, irrespectively of who they are tribute to, must know how to play Highway Star. It’s a benchmark.) For the encore, of course, they did Bohemian Rhapsody, which was fine. It would have been cooler though if they had opted for something else. By the way, I never learned where La Reina are from but I found them very andalú.
  • 23 October: The Jungle @ Molly Bloom’s
      Another band from Málaga, playing a healthy mix of R&B, soul and hip-hop covers. With Julia Martín (vocals), Alejandro Berenguer (keys), Eric Pozzo (bass and vocals), Raúl Ranea (guitar) and Daniel Guzmán (drums). Uplifting!

Hasta pronto, Andalucía.

Monday, 31 October 2016

Gonzalo Rubalcaba Quartet @ Teatro Pérez Galdós

After almost two years of walking past it on a daily basis, Timur and I finally made it to Teatro Pérez Galdós. Thanks to Gonzalo Rubalcaba, we know at last where the entrance is.

I wanted to see the Cuban pianist playing live since I heard his album Diz some twenty years ago. And now the chance presented itself. Tonight, Gonzalo Rubalcaba Quartet featuring bassist Matt Brewer, saxophonist Will Vinson and drummer Jeff Ballard presented a tribute to the great late Charlie Haden, Rubalcaba’s long-time friend and collaborator.

Inside the modern cuboid of a building, we found a rather traditional wedding-cake type of theatre, complete with stalls, balconies and boxes as well as classically-inspired frescoes by Néstor. We were sitting in “the gods”, as those were the cheapest seats on offer (and €20 is quite expensive by Canarian standards). In spite of relatively recent refurbishment, there was not enough legroom. This could have made the experience uncomfortably similar to a Ryanair flight. However, the theatre was far from being packed, which was a shame really. Whether it was competition with Hallowe’en parties (I did not realise until now just how popular Hallowe’en became in Spain) or typically Canarian poor publicity, I can’t tell you.

As I was perching on my seat, I couldn’t help thinking how incongruous was the music with this environment. Jazz is egalitarian and playful. Jazz ignores, bends and breaks the boundaries. It is a complete antithesis to the rigidly stratified microcosm of the opera house. The music tonight was thoughtful, at times sombre, with great chunks of silence. Far cry from bebop nuevo of Diz era but as (or even more) engaging. It should have been played in a more chamber settings, if only for the sake of interaction with the audience. Besides, the smaller sold-out venue is always better than a bigger and half-empty one.

After the show, Timur confessed that this is not his favourite sub-genre of jazz, as he put it. He prefers big bands. Fair enough. I think know where we’re going to watch next time.

Wednesday, 26 October 2016

Never Happened

a film by Mark Slutsky

Swap the first two lines of Bohemian Rhapsody. Those must have been the two questions that quite naturally came to my mind after watching this short. And then there came other ones but I’ll say no more.

Saturday, 15 October 2016

Blue Breeze

by Livin’ Blues

For me, Blue Breeze, released 40 years ago (I can’t find an exact date, does it really matter?), was a revelation, if not the revelation. I heard blues before, but this was my first encounter with the band so dedicated to blues. And, of all blues bands out there, neither American nor British but Dutch. How cool is that? Very cool, I say. Very underrated too, and not that well known, even in The Hague.

Here’s the story: A childhood friend of mine asked me and my brother to look after a stack of her (or, rather, her “crazy” mum’s) vinyls throughout the summer of 1977. Those included records by ABBA, Puhdys, assorted rock’n’roll compilations and two strange albums pressed in Poland, viz. Live ’75 and Blue Breeze. All of the summer passed without us ever taking those latter two out of their sleeves. And then, a day or two before returning them, we finally decided to give them a go. What a discovery! Unfortunately, we had only one spare reel of magnetic tape in the house, and there was no way to acquire another one in the remaining hours. So. Blue Breeze, it was decided, in a hope to catch up with Live ’75 some other time which, naturally, never came. Amazingly, that reel, still playable, stayed with me until early ’90s.

A few years later, I got hold of most of Livin’ Blues back catalogue reissued on CDs. Still, Blue Breeze is my favourite record of the band as well as one of my favourite blues-rock (or, indeed, any) records of all time. If you’ve never heard it, find it and listen to it.

Blue Breeze

Side A

  1. Shylina (J. Fredriksz, T. Oberg)
      A blues-rock-waltz that never fails to give me goosebumps.
  2. Back Stage (J. Fredriksz, R. Meyes)
    • They really knew how to craft a rock ballad.
  3. Midnight Blues (J. Fredriksz, T. Oberg)
      Humourous country(ish) style blues.
  4. Pisces (T. Oberg)
      An instrumental of almost unbearable beauty.
  5. Bus 29 (J. Fredriksz, T. Oberg)
      Since I first heard this song, I wanted to ride the bus #29 for no (other) reason.

Side B

  1. Blue Breeze (J. Fredriksz, T. Oberg)
      Vinyls have two sides for a reason. You see, one can’t simply stick a blues of epic proportions like this one in the middle of a record. It just has to be a (or, in this case, b) side opener.
  2. Pick Up On My Mojo (Johnny Winter)
      Trust me, the only track not composed by the band members is every bit as good as the original. Or better.
  3. That Night (A. Reijnen, J. v. Heiningen, J. Fredriksz, T. Oberg)
      Featuring one of the finest rock bass solos I ever heard, this song, together with the title track’s bass line, is probably responsible for me ever trying my hand at electric bass.
  4. Black Jack Dilly (J. Fredriksz, T. Oberg)
      A rocker of a song with rather silly lyrics.
  5. John Fredriksz: vocals and backing vocals
    André Reijnen: bass guitar
    Jacob v. Heiningen: drums
    Ted Oberg: electric and acoustic guitars, dobro, banjo and electric sitar
    Margriet Eshuys and Maggie Mc Neal: backing vocals on Bus 29
    Martin Agterberg: additional keyboards