Ralph Bakshi’s third feature looks like a combination of Fritz the Cat (animals) and Heavy Traffic (humans and live action). Finally, some sort of coherent plot, which makes the film actually watchable without constant thinking of when it’s gonna end. There is marginally less violence than in his two previous efforts and practically no sex — I wish this was the other way round. For me, Coonskin was the least offensive one of the three Bakshi’s films I’ve seen so far. Or maybe I’m developing tolerance to this stuff.
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