Paul McCartney and Wings: One Hand Clapping

a film by David Litchfield

A 1974 rockumentary featuring Wings at the height of their powers, lovingly restored and released 50 years later. With Paul, Linda, Denny Laine, Jimmy McCulloch, Geoff Britton and Howie Casey. A joy to watch from beginning to end. The highlights, if you need any, include Live and Let Die and any bits where Macca sings solo accompanying himself on the piano.

Memoir of a Snail

a film by Adam Elliot

It’s more than refreshing to see a modern animation (or any modern film, for that matter) made entirely by humans. In words of its director,

every prop, set and character in the film has been handmade. There’s no CGI, no AI, everything you see is something real and tangible that you could hold in your hand.

Besides the visuals, I loved the story and its (often, but not always, dark) humour. The voice talents include Sarah Snook, Jacki Weaver, Eric Bana, Dominique Pinon and Nick Cave (yes the Nick Cave).

Bright Size Life

by Pat Metheny

Metheny’s debut LP, released 50 years ago today, remains one of my desert island jazz albums. Almost everything about it is, well, bright. Bob Moses on drums and pre-Weather Report Jaco Pastorius on bass shine throughout, and the man himself is not bad either. I said “almost”. I’m not a fan of “traditional” hollow-body jazz guitar sound which is too dull for my taste. IMHO a purely acoustic guitar or a solid-body electric guitar would make Bright Size Life even brighter. (Later, Metheny would develop the taste for guitar synthesiser which I also don’t care for; luckily, no such abomination here.)

If I had to choose my favourite tracks, I’d go with Midwestern Nights Dream, Ornette Coleman’s Round Trip/Broadway Blues and the title composition.

Lo normal

a play by Menudas Pájaras
interpreted by Núria Cano Cano

I saw this event advertised simply as “obra teatro” to take place in the Civic Centre of Nanclares de la Oca. By what theatre? Anyway, I was intrigued: finally, something cultural is happening in Nanclares! Great or awful, I was determined to see it.

Thankfully, I was not alone: the auditorium was optimistically half-full. I’m glad that I came to the show. It’s clever, it’s funny, and it’s necessary. Núria Cano, a clown and a sexologist (that’s right), engaged the audience in unusual ways but, as I don’t want to spoil a surprise, I’ll say no more.

A Dry White Season

a film by Euzhan Palcy
based on a novel by André Brink
music by Dave Grusin

Donald Sutherland, Susan Sarandon and Marlon Brando notwithstanding, A Dry White Season was a box office flop. As the director put it, “That’s the terrible thing about being a pioneer”. I have to admit that I never heard about this film until now. So thank you La Filmoteca Valenciana for enlightening me.

It’s not an easy watch, and why should it be? But watch it, you won’t regret it. Featuring the flugelhorn of Hugh Masekela and songs by Ladysmith Black Mambazo; also starring Zakes Mokae, Thoko Ntshinga, Winston Ntshona, Jürgen Prochnow and Janet Suzman.

The Duke

a film by Roger Michell

I only paid for TV licence in the UK for about 18 months, in 1995 and 1996, and that was for an old black and white telly that my professor lent me. (I’ll never get this money back.) During and after that time, the TV Licensing folk kept harassing me by sending threatening letters: first, by implying I might well have acquired a colour TV set and should pay more, and then, when we moved far away, by asking why don’t we pay if, in all probability, we already have TV in our household. Which we didn’t.

So Kempton Bunton should have been my hero, except I never heard about him until I watched this film. Starring Jim Broadbent and Helen Mirren, it’s a charming, very English comedy.

Two museums and two films in Valencia, February 2026

What I saw during my week in Valencia:

• Six exhibitions at Centre del Carme Cultura Contemporània (CCCC), Carrer del Museu, 2, Valencia:
  • 12 December 2025 — 22 February 2026: La transformación de Valencia 1866—2026
    Transformation of Valencia as documented by the newspaper Las Provincias and in works of Marta Torres, Ada Sinache, Jaume Mora, Alba García, Laura Pérez, Mario Barrachina, José Miguel Guillén, Virginia Lorente, Juanma Martínez, Ángela Salerno, Raúl Salazar, Fran Parreño, Anneta Santacreu, Dakota Hernández, Ivan Mata, Daniel García, Mario Dubla, Pau Valls, Núria Tamarit, Pablo Caracol, Tomás Ferrer-Dibujador, Jordi Ferrándiz, Sr. García, Elga Lamas, Luna Pan, Laura Castelló, Mar Hernández, Enric Ejarque, Martín Forés and Felip Ariza.

    

  • 21 January — 5 April 2026: El ritual del respawn by Ana Esteve Reig
    Videoinstallations by Ana Esteve Reig (Agres, 1986).

    

  • 21 January — 12 April: Circuito Cerrado (“Closed Circuit”)
    Works and installations by Marta Azparren, Ana Esteve Reig, EXONEMO, Takahiko Iimura, Inma Femenía, Jean Genet, Almudena Lobera, Aya Momose, Arata Mori, Laura Ramírez Palacio, Manuel Saiz, Kentaro Taki and Kei Uruno.

    

  • 5 February — 19 April: Pepe Beas. Los Margenes de lo Real
    Retrospective of works by Pepe Beas (Córdoba, Argentina, 1955). Depressing as hell, apart from the red room.

    

  • 6 February — 17 May: Chema Madoz. Letra y Compás
    Works by Chema Madoz.

    

  • 13 February — 26 April: Paco Camallonga
    Works by Valencian designer, illustrator and sculptor Paco Camallonga.

    

• 6 February — 15 March: Exposición del Ninot 2026, Museu de les Ciències, la Ciutat de les Arts i les Ciències
  According to the blurb, “this exciting exhibition showcases over 700 ninots carefully selected by the Falla commissions, each competing for your vote to escape the flames. The two most popular ninots, both in the infant and adult categories, will have the honor of joining the prestigious collection of the Fallero Museum.”

  

I also went to see two films at La Filmoteca Valenciana (Plaça de l’Ajuntament, 17): pretty soporific 1933 silent movie Japanese Girls at the Harbor by Hiroshi Shimizu, somewhat redeemed by the live piano accompaniment (Arcadi Valiente), and A Dry White Season, of which later.

Танго и вальс

by Various Artists

Here’s another LP that my mum often asked “to put on”. I don’t know who and when bought it. By all accounts, it was a weird compilation. Only on five (of 16) tracks the performers were credited, one of them incorrectly; the rest of the songs was played by an anonymous “orchestra”. Some of the titles were translated in a funny way (how A media luz even can be «Твоё имя»?) and some not translated at all (El Choclo = «Эль чокло»). But my mum loved this album and, re-listening it now, I realise that I liked it too. What not to like? After all, it delivers what is says: a waltz after a tango and a tango after a waltz, and comes with a psychedelic cover artwork.

Side A Mama, yo quiero un novio (Ramón Collazo) Angelica (Rolf Zimmermann) Il pleut sur la route (Henry Himmel) — Yoichi Sugawara Květ Aloe (Vlastimil Kloc) La Paloma (Sebastián Iradier) La Valse à mille temps (Jacques Brel) — Jacques Brel A media luz (Edgardo Donato) It’s A Sin To Tell A Lie (Billy Mayhew)	1 сторона Мама, я люблю (Коллацо) Анжелика (Р. Циммерман) Дождь идёт (Ц. Биксио*) — Еити Сугавара Цветок алоэ (Клоц) Голубка (Ирадье) Всё о вальсе (Ж. Брель) — Жак Брель Твоё имя (Донато) Скажи мне правду (Мейхью)
Side B Gruß aus Paris (Ralph Stüwe) Tango Italiano (Walter Malgoni, Bruno Pallesi, Luciano Beretta) — Marino Marini Song of the Islands (Na Lei O Hawaii) (Charles E. King) Confesión (Enrique Santos Discépolo) Sous le vieux Pont des Soupirs (Marguerite Monnot, Jean Broussolle) — Lucienne Delyle El paso (Jürgen Hermann) Les Bicyclettes de Belsize (Les Reed, Barry Mason) El Choclo (Ángel Villoldo)	2 сторона Привет издалека (Р. Штюве) Танго итальяно (Мальгони) — Марино Марини На далёких островах (Кинг) Признание (Дисцеполо) Всюду звучит вальс (М. Моно) — Люсьена Делиль Шаг за шагом (Ю. Герман) Тандем (Л. Рид) — Том Джонс† Эль чокло (Вилольдо)

*	I’ve no idea who it is but it’s not the composer of the song.
†	Definitely not Tom Jones. The song was recorded by Engelbert Humperdinck but on this compilation it’s somebody else.

Entrevista

This is the Spanish version of Interview, a short story that appears in our new book, The Thread. Available in paperback and on Kindle from Amazon.

Yo no pregunto ningunos acertijos. ¿Para qué? Me entretiene charlar con hombres en su idioma, nada más. O sus idiomas. Todas las lenguas humanas son parecidas: sujeto, objeto, verbo. Una vez que domines una, puedes hablar la otra.

Los dioses no nos dicen nada en ningún idioma hablado. Nos dan señales. Si no sabemos interpretarlos correctamente, es decir, en nuestro beneficio, ¡peor para nosotras!

Además, los dioses nos dieron cerebro para que pudiéramos pensar por nosotras mismas. La devoción no sustituye al cerebro.

Para que lo sepas: corro más rápido que cualquier hombre y cualquier caballo. Sólo lo menciono para que no te desgastes en vano. No es que tenga que retenerte aquí. Por mucho que disfrute de tu compañía, si quieres ir pa’ casa ahora, no hace falta correr, no me moveré. Pero no intentes colarte.

Por última vez: no matamos a seres humanos. Tenemos instrucciones muy claras al respecto: «No hacer daño a los humanos».

Песня о старом доме на Новом Арбате

a song by Vladimir Vysotsky
music by Mikael Tariverdiev

After spending two weeks living in an old and very cold house, this song came to mind, just in time for its author’s 88^th birthday. A song about an old house on New Arbat appeared in the 1966 Soviet comedy Саша-Сашенька, of which Vysotsky said that it was “a really bad movie” and that he contributed his song “due to a misunderstanding”. I never watched it. According to Wikipedia, in the film the song was performed by an “unknown actor”. Elsewhere, it is said that the song was ‘written for Tariverdiev’s opera “Who are you?”’ («Кто ты?»). This version on YouTube is that I knew and loved since the 1970s from magnetic tape recordings. Unfortunately I couldn’t find a decent English translation of it.

Владимир Высоцкий Музыка Микаэла Таривердиева Песня о старом доме на Новом Арбате

Стоял тот дом, всем жителям знакомый, Его ещё Наполеон застал, Но вот его назначили для слома, Жильцы давно уехали из дома, Но дом пока стоял... Холодно, холодно, холодно в доме. Парадное давно не открывалось, Мальчишки окна выбили уже, И штукатурка всюду осыпалась, Но что-то в этом доме оставалось На третьем этаже... Ахало, охало, ухало в доме. И дети часто жаловались маме И обходили дом тот стороной. Объединясь с соседними дворами, Вооружась лопатами, ломами, Вошли туда гурьбой Дворники, дворники, дворники тихо. Они стоят и недоумевают, Назад спешат, боязни не тая, Вдруг там Наполеонов дух витает, А может, это просто слуховая Галлюцинация? Боязно, боязно, боязно дворникам. Но наконец приказ о доме вышел, И вот рабочий, тот, что дом ломал, Ударил с маху гирею по крыше, А после клялся, будто бы услышал, Как кто-то застонал Жалобно, жалобно, жалобно в доме. От страха дети больше не трясутся: Нет дома, что два века простоял, И скоро здесь по плану реконструкций Ввысь этажей десятки вознесутся — Бетон, стекло, металл... Весело, здорово, красочно будет.

A Beautiful Day in the Neighborhood

a film by Marielle Heller
based on an article by Tom Junod

If not for this film, watched quite by chance, I would never know who Fred Rogers was. For his portrayal of Rogers, Tom Hanks earned a score of nominations for best supporting actor — whoa, wait a minute. Best supporting actor? Isn’t it Mister Rogers who is the main character here, so shouldn’t it have been “best actor”? Apparently not. Matthew Rhys as Lloyd (ostensibly the protagonist), like the whole Lloyd’s family story, didn’t convince me at all. Still, well worth watching, especially when it’s cold and miserable as it is in the Peninsula now.

Éiru

a film by Giovanna Ferrari

From Cartoon Saloon, the creators of The Secret of Kells and Song of the Sea, comes this charming hand-drawn short. Once again, recommended to me by Timur.

Three Women

by Lisa Taddeo

Yet another “international No. 1 bestseller” totally not worth the hype. Probably bought in some British airport and then donated to our library after not finishing it. I myself almost gave it up halfway through.

“This is a work of nonfiction”, says the Author’s Note. “Almost all quotes come from legal documents, emails, letters, recordings, and interviews with the women and other individuals in the book.” If you haven’t read the Author’s Note though, you wouldn’t know. The true stories of, well, three women are fictionalised here to the degree of softcore, and at times hardcore, porn. I find this disrespectful towards the titular women. At least, towards Maggie and Lina. I can’t be sure about the third woman — the fictionalised Sloane, together with her voyeuristic husband, might even find it arousing, but I seriously doubt that the real Sloane would. Personally, I prefer either dry, matter-of-fact style in non-fiction, or the direct speech of protagonists^*. In this way, the characters appear real, as they should. In case of this book, sorry, they do not.

*	Mujeres que follan by Adaia Teruel (reviewed on this blog) is a brilliant example of this latter.

Free live music and stuff in Las Palmas, December 2025

Before reporting on what we’ve seen in December, let me tell you what we haven’t. That’s right, it was Christmas lights switch-on on 4 December. When we arrived somewhere close to Plaza de Santa Ana, we realised that we can’t get there because of the bloody barriers. It was supposed to be a family-friendly event but from what we could see, all the seats were taken mostly by adults. After circling the place clock- and then counterclockwise, we went home to read some indignant comments in social networks.

And then a great number of outdoorsy activities were cancelled thanks to Storm Emilia. Oh well.

On the other hand, I’ve been to three pretty good Christmas concerts in local churches which I probably wouldn’t attend if we haven’t moved to Isleta.

• 6 December: Concierto de Navidad @ Parroquia de Santa María del Pino, Calle Ruiz de Alda, 7, Las Palmas de Gran Canaria^†
  A concert of La Banda de música Barahona conducted by Zoraida Hernández Almeida. The programme included:
  • Mulan (Matthew Wilder, arr. Johnnie Vinson)
  • Selections from Moana (Lin-Manuel Miranda, arr. Jay Bocook)
  • Arabian Dances (Roland Barrett)
  • Hercules (Alan Menken)
  • Christmas in Mexico (traditional, arr. Michael Story)
  • Ukrainian Bell Carol (Mykola Leontovych, arr. Richard L. Saucedo)
  • Fantasy on a Burgundian Carol (traditional, arr. Michael Story)
  • A Holly Jolly Christmas Medley (arr. Stefan Schwalgin)
• 10 December: Performance colectiva «Rojo Descolonial» @ Casa de Colón, Calle Colón, 1
  This collective performance was the culmination of Rojo descolonial. Doscientos años de grana en Canarias, a project by the Mexican artist Gloria Godínez.

  

• 16 December: «Los Reyes siguen l’estrella. La Natividad en la tradición musical hispánica» @ Casa de Colón
  Las Hespérides feauturing Magdalena Padilla (soprano), David Batista (countertenor) and Carlos Oramas (vihuela). The programme included:

  Luys Milán: Fantasía del Quarto Tono* Tomás Luis de Victoria: O magnum mysterium Tomás Luis de Victoria: Ne timeas Maria Diego Pisador: Dezidle al caballero* Francisco Guerrero: Puer natus est Vincenzo Capirola: Ricercar ottava* Anonymous (from Cancionero de Upsala): Dadme albricias Anonymous (from Cancionero de Upsala): Gózate, Virgen Sagrada Anonymous (from Cancionero de Upsala): No la devemos dormir Francisco Guerrero: La Tierra s’está gozando Francisco Guerrero: Pastor, quien madre virgen Francisco Guerrero: Los Reyes siguen l’estrella Francisco Guerrero: Niño Dios d'amor herido Francisco Guerrero: Vamos al portal Luys de Narváez: Fantasía del quarto tono* Mateo Flecha “El Viejo”: Dindirindin

  

• 18 December: Concierto de Navidad de la Unidad de Música del Mando Aéreo de Canarias @ Plaza de Santa Ana
  The band of the Canary Islands Air Command braved the elements to deliver a delightful Christmas concert. The highlights included themes from Cinema Paradiso and Skyfall, Street Tango, A Night in Tunisia and Nutcracker Swing.

  

• 19 December: Recital Lírico de Navidad @ Parroquia de Nuestra Señora del Carmen, Calle Benartemi, 46^†
  With Inna Saavedra (soprano), Sun Park (organ), Cristina Gimeno Pérez (oboe) and Néstor Henríquez Domínguez (violin). The programme included:

  Franz Schubert: Ave Maria Johann Sebastian Bach: Magnificat Antonio Vivaldi: Gloria Johannes Brahms: Wiegenlied Georg Friedrich Händel: Lascia ch’io pianga César Franck: Panis angelicus Franz Schubert: Mille cherubini in coro John Francis Wade: Adeste Fideles (O Come, All Ye Faithful) Georg Friedrich Händel: Messiah Vladimir Vavilov: Ave Maria (misattributed to Giulio Caccini) Irving Berlin: White Christmas* Franz Xaver Gruber: Stille Nacht Adolphe Adam: Cantique de Noël Encore: James Lord Pierpont: Jingle Bells*

• 28 December: Concierto de Navidad @ Parroquia Nuestra Señora de la Luz, Calle Pérez Muñoz, 4^†
  A concert of La Banda Juvenil de Firgas (postponed from 7 December). The highlights were pasodoble Música y Vinos by Manuel Morales Martínez, a Pixar medley (including the theme from The Incredibles), and Jingle Bell Rock (encore).

And exhibitions:

• 12 November 2025 — 1 March 2026: «El original multiplicado» @ Casa de Colón
  Engravings from the collection of Cabildo de Gran Canaria, including works by Rembrandt, Goya, Picasso, Chillida, Chirino and Lola Massieu.

  

• 4 December 2025 — 6 January 2026: Elia Verona @ Bar Tenesor, Calle Rosarito, 2
  Engravings by Elia Verona in a friendly bar environment.
• 11 December 2025 — 9 January 2026: «Objetópolis: Atlas de invenciones poéticas» @ Centro de Artes Plásticas (CAP), Calle Colón, 8
  Impossible art by Irene León.

  

Happy New Year, everybody.

*	Instrumental.
†	This concert was part of the cycle Sueña la Navidad en tu barrio (District Isleta-Puerto-Guanarteme).