Adding guitar
tablature to the existing LilyPond score cannot be easier. By default, LilyPond generates
tabs for Spanish guitar in standard tuning. So, I took the score of
Autumn Leaves and inserted
\new TabStaff
\staffMelody
in the
score section. However, by some obscure reason, the resulting tab is one octave off the notes on the staff. To remediate this, I transposed
\staffMelody one octave lower:
{ \transpose c' c \staffMelody }
To add a nice header to the whole thing:
\header {
title = "Les Feuilles mortes (Autumn Leaves)"
composer = "Joseph Kosma"
}
Still, I thought that was not enough changes for today’s post, so I replaced the chord progression (with a simpler one). Here’s the final version:
% ****************************************************************
% Autumn Leaves (Joseph Kosma)
% ****************************************************************
\version "2.12.3"
\header {
title = "Les Feuilles mortes (Autumn Leaves)"
composer = "Joseph Kosma"
}
\sourcefilename "display-predefined-fretboards.ly"
\include "predefined-guitar-fretboards.ly"
\storePredefinedDiagram \chordmode {a:m6}
#guitar-tuning
#"x;o;2-2;2-3;1-1;2-4;"
\storePredefinedDiagram \chordmode {b:9-}
#guitar-tuning
#"x;2-2;1-1-(;2-3;1-1-);2-4;"
\storePredefinedDiagram \chordmode {g:maj7}
#guitar-tuning
#"3-2;2-1;o;o;o;2-3;"
theChords = \chordmode {
\set majorSevenSymbol = \markup { maj7 }
\partial 4 r4
\repeat volta 2 {
a2:m7 d2:7
g2:maj7 c2
a2:m6 b2
e1:m
a2:m7 d2:7
g2:maj7 c2
a2:m6 b2:9-
e1:m
b1
e1:m
d1
g1
b1:9-
e1:m7
a2:m6 b2:7}
\alternative {
{ e1:m }
{ e1:m }
}
}
staffMelody = {
\key e \minor
\partial 4 \times 2/3 { e'8 fis'8 g'8 }
\repeat volta 2 {
c''2. \times 2/3 { d'8 e'8 fis'8 }
b'4 b'4( b'8) r8 \times 2/3 { c'8 d'8 e'8 }
a'2. \times 2/3 { b8 cis'8 dis'8 }
g'2 (g'8) r8 \times 2/3 { e'8 fis'8 g'8 } \break
c''2. \times 2/3 { d'8 e'8 fis'8 }
b'4 b'4( b'8) r8 \times 2/3 { c'8 d'8 e'8 }
a'2( a'8) fis'8 a'8 g'8
e'2( e'8) r8 dis'8 e'8 \break
fis'8 b8 fis'2 e'8 fis'8
g'4 g'4( g'8) g'8 fis'8 g'8
a'2( a'8) d'8 d''8. c''16
b'2. ais'8 b'8 \break
c''8 c''8 a'!8 a'8 fis'4 c''4
b'4 b'2 e'4
a'4 a'8 g'8 fis'4 g'8. b16 }
\alternative {
{ e'2( e'8) e'8 fis'8 g'8 }
{ e'2( e'8) r8 r4 \bar "|." }
}
}
\score {
<<
\context ChordNames { \theChords }
\context FretBoards { \theChords }
\new Staff
\with {
\consists "Volta_engraver"
}
{
\context Voice = "voiceMelody" { \staffMelody }
}
\new TabStaff
{ \transpose c' c \staffMelody }
>>
\layout {
\context {
\Score
\remove "Volta_engraver"
}
}
}
And the output:
The original was actually not off by an octave. Many guitarists don't realise that the guitar is a transposing instrument, and sounds one octave lower than written. Lilypond does not take this into account when you write tabs ...
ReplyDeleteregards,
Thomas Evdokimoff
Thanks for the comment!
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