Wednesday, 30 July 2014

Гитары Луки Кантери

This is a Russian version of the original post published on 15 May 2013

Каждый уважающий себя испанский остров просто обязан иметь гитарных дел мастера. У нас на Фуэртевентуре, к счастью, есть Лука Кантери. Его специальность — акустические фолк-гитары, хотя он также делает тимпле. Гитары Луки оказались первыми (и пока что последними) когда-либо попавшими в мои руки инструментами с переменной мензурой.

Мое первое ощущение было что-то вроде головокружения. От гитары как-то ждешь параллельных ладов, а когда они таковыми не оказываются, начинаешь подозревать, что тут что-то не то, то ли с полом, то ли с геометрией комнаты вообще.


(а)

(б)

Я держал в руках два произведения Луки: Grand Concert Multiscale (а) и несколько похожую на гитару XIX века “The ParLou” (б). Должен сразу сказать, что фолк-гитара — не совсем моя стихия, я чувствую себя комфортнее с классической. К примеру, у обоих инструментов гриф узковат для моих рук. Зато, как только привыкнешь к идее веерных ладов, левая рука начинает чувствовать себя более естественно. (Потому что так оно и есть.) Звук мне понравился. Ясные дисканты и удивительно — особенно в случае ParLou — громкие и глубокие басы.

Так что опыт есть. Единственный побочный эффект: теперь я убежден, что мне действительно нужна одна из его гитар.

Фотографии акустических гитар на Shutterstock.

Tuesday, 1 July 2014

Angel

a film by François Ozon

Some time last year (I think), very late at night, I saw a second half of this movie on Spanish TV. Yesterday, they were showing it again, so I finally watched it in its entirety.

Ozon’s trademark stylisation meets Tim Burton in this tragicomedy (it’s getting progressively more tragic though): pre-Raphaelitesque Angel, wonderfully rendered by Romola Garai, charmingly obvious rear projection scenes, fabulous costumes... everything you’d expect from Ozon and more, but what it’s all about? True love, of course.

Friday, 13 June 2014

Dear Porvoo

Ten months ago, we arrived to Finland. I had my fair share of preconceived notions about this country. The top five of them were:

  1. It’s too dark most of the time.
  2. It’s too cold most of the time.
  3. It’s uncomfortably close to Russia.
  4. It’s too expensive.
  5. Its language is impenetrable.

Well.

Now I can confirm, it’s all true. And if the first two factors feel somewhat alleviated right now (temperature is in double figures and astronomical twilight has disappeared), you can’t do much about the large and increasingly unpleasant country at the east. And prices on practically everything are so high it almost physically hurts. To give you an idea... take any Spanish price and multiply it by three. If there ever was a good time and place to teach our kids the concept of euros per kilo/litre, that was it.

Learning the language is tough but not impossible. Why, I’ve just seen the book entitled Punainen kortti in the lobby of my hotel (yes, the traditional mini-library of books in obscure languages left behind by retreating North European tourists) and immediately known what that means. I guess if I’ve spent here ten years rather than ten months, I probably would be able to converse in vernacular. As it happens, I am no longer there. Finns themselves realise how difficult their language is. I suppose that’s why the free Finnish courses are on offer. Most people in their forties and younger here speak very decent English. Thanks to that, dealing with schools, police, bank clerks, tax office etc. is much easier in Finland than, say, in Spain or Italy.

Mind you, all these generalisations are based on our life near Porvoo. To be more precise, in the middle of the forest not that far from Porvoo. As generalisations go, they are probably closer to “average” Finnish reality compared with those based on life in Helsinki. But I did not live in Helsinki.

Earlier this year, Michael Booth wrote an article for The Guardian which managed to piss off every Nordic nation. What he says about Finland seems to be true though. It’s up to you to decide whether you would love or hate that “They’re not big on chat” or that “the place appears to be 99% trees”.

Porvoo (Borgå) is a pleasant historic town, which I grew to regard as the Finnish equivalent of Saffron Walden. In contrast to Saffron Walden, there is a river to speak of (I like its Swedish name, Borgå å) and the charming waterfront. Just like Saffron Walden, it is too close to the capital, so nothing epic, such as Leningrad Cowboys shows, seems to happen here. On the other hand, there is an awful lot of education for such a low-key place. In addition to the aforementioned Finnish courses, we went to the evening Spanish class, just to keep the language alive. And the Porvoo City Library is the best public library I ever used. (Take that, Cambridge.) I am going to miss it.

I can’t say much about Porvoo’s gastronomical scene: of its many restaurants we visited exactly one and only once, for Timur’s birthday. The food was good enough but the bill was exorbitant, or so I thought until we had a couple of drinks at the Vantaa airport.

It is not easy to make friends in this country, especially if you live in the forest. (I don’t regard our regular visitors, a red squirrel and a woodpecker, as friends.) But you should try. If anything, it will help you to survive. As Alexander Stubb, Finland’s minister for European affairs and foreign trade, put it,

There is nothing fake about the average Finn: what you see is what you get.
I think we not only have survived but made some good friends in Finland.

Heippa, Porvoo.

Wednesday, 28 May 2014

Tjango!

by Tjango!

Another pleasant discovery. I knew Otto Tolonen as a classical guitarist, and quite liked his album of Finnish modern guitar music, Toccata. I certainly did not expect this. Of course, “Tjango” refers to Django Reinhardt, just like Minor by Pasi is a homage to Minor Swing. But I wouldn’t label Tjango! as a “Gypsy jazz” band. Not even as a jazz band. What they play is very original, beautifully nostalgic and at times humorous music. Yes, it comes from Finland, and no, there are no polkas nor tango. Intrigued? So you should be.

Tjango!

  1. Minor by Pasi (Eerikäinen)
  2. Late Autumn Bossa (Leinonen)
  3. Mili (Tolonen)
  4. I’ve Met My Lady (Leinonen)
  5. This Ain’t My Day (Eerikäinen)
  6. Don’t Go (Eerikäinen)
  7. Farewell Song (Leinonen)
  8. When You Are Gone (Leinonen)
  9. It’ll Be Great to See You Again (Leinonen)
    Pasi Eerikäinen: violin
    Antti Leinonen: accordion
    Otto Tolonen: guitar
    Eero Ignatius: double bass

    Laura Airola: mandolin (3, 4, 7) and ukulele (6, 9)
    Markku Veijonsuo: recording, mixing and mastering
    Lina Galrito: graphic design

    Recorded in June 2013 at Varistoteles Studios Helsinki
    Produced by Antti Leinonen, Pasi Eerikäinen and Otto Tolonen

Friday, 23 May 2014

Fortant de France Merlot Rosé 2013

Summer is here at last — according to Weather Underground, we have “extreme high temperature” today (26 °C, feels like 26 °C). Beats Las Palmas (21.5 °C, feels like 24 °C). I don’t quite understand this “feels like” business, but I know that it is the proper weather for a glass of chilled rosé. I feel like one. Unfortunately, we just finished this bottle of Merlot Rosé and there’s no more in the fridge.

I never heard about Fortant de France before, and, indeed, it was the unbearable cuteness of the bottle (butterflies, flowers and a lady in a hat picking the said flowers) that prompted the purchase of this outrageously priced beverage. Which turned out to be rather nice.

Sunday, 18 May 2014

Masterpieces: The Powerhouse Sound of the 70s

by Peter Herbolzheimer Rhythm Combination & Brass

I thought this name rang a bell. It turns out, I first heard RC & B on the very The Jazz Rock Album which introduced me to the music of Return To Forever. It’s funny that I went to become a fan of the band that was opening the album and completely forgot the guys who were closing it. However, I did remember the song names, Jive Samba and The Mixolydian Highlander; luckily, both of them are featured here on Masterpieces.

Even though I just started to (re)discover this amazing musician and bandleader, it’s clear that this 1995 compilation is far from presenting a balanced overview of Herbolzheimer’s music of the 70s. Nor is it “the best of” album: for example, five tracks (out of 11) are taken from 1976 album Hip Walk. Deservedly so, I should add, but still. Can one call this collection Masterpieces? Absolutely.

My favourite track is My Kind Of Sunshine, from the album of the same name, with groovy solos by “the fat man with the trombone” himself, Ack van Rooyen on trumpet, Dieter Reith on organ (ye fans of Deep Purple, listen up!) and Tony Inzalaco on drums. My kind of music.

Friday, 16 May 2014

Frequently Asked Questions About Time Travel

a film by Gareth Carrivick

Who could have thought that visiting a loo in your local could be that dangerous?

Frequently Asked Questions About Time Travel (shown here as Aikamatkustus FAQ) is a proof that you don’t need a Hollywood-size budget to make a good sci-fi movie. It has a clever script; a bunch of familiar and semi-familiar faces: Chris O’Dowd (Simon “I believe the technical term is a fuckload of boats” from The Boat That Rocked), Anna Faris (Friends), Marc Wootton and Meredith MacNeill (both Confetti — I think I saw it) and Dean Lennox Kelly (I think I saw something with him, but don’t quote me on that); and it is funny. Needless to say, I won’t be able to hear the most popular song to sing in the shower with the same ears ever again.