Wednesday, 26 August 2026

Once in Os Peares

Os Peares (officially Nosa Señora do Pilar dos Peares) is the strangest village I’ve been to. It belongs to (or shall we say, is torn between) two provinces, four municipalities, three judicial districts and two dioceses. In part — but only in part — this is due to its unusual geography. The rivers Búbal, Minho and Sil meet here; cross one of them and you are bound to find yourself in another administrative division. This peculiar arrangement is guaranteed to make any paperwork-related undertaking a nightmare for the villagers. On the contrary, the mere mentioning of its name must provide infinite joy to bureaucrats dealing with the local matters.

It’s difficult to say what exactly is the centre of the village but I’d place it near the church (Iglesia Nuestra Señora del Pilar de los Peares) — wait, there are two buildings with this name, and I’ve never seen either of them open. Scrap that, I’d place the village centre right in the natural pool of the river Búbal, because this is the place you can meet more than one person at a time. Having said that, I spent several glorious mornings by this pool enjoying total solitude.

Next to the pool there is a reasonably modern building that combines a health centre (the doctor was on holidays when I was there), an ATM and a post office. This latter is open every working day from 11:00 to 11:30. One day I came to visit it because I needed to send a gift to my friend in Santander. The postman did not have a suitable envelope but was able to fashion something resembling it out of scraps of brown paper he’d found under his desk. I was pleasantly surprised when I learned, two weeks later, that the package had safely arrived to its addressee, together with its contents.

The village boasts its own train station where a train stops twice a day: 8:37 to Ourense and 16:48 from Ourense. So a day out in the provincial capital is doable. The train in either direction stops at platform no. 3. I don’t know how useful this information is as I was unable to find platforms no. 1 and no. 2. There is an Eiffelesque railway bridge painted sky blue, the kind of bridge you’d board a train only for the privilege to cross the river by. However, you’d have to go in the direction of Monforte de Lemos to experience that, which I never did. What I did was the next best thing: to cross it on foot. Or maybe it is the first best thing, given that you can stop at any point and enjoy the view to your heart’s content.

The village also has a pharmacy; a grocery store (I heard a rumour that the owner is about to retire, which could spell the end of it); and, of course, a number of bars. My favourite is Bar Barra, where a beer in a frosty mug and a generous tapa will cost you €2.

Os Peares is the birthplace of one Alberto Núñez Feijóo, the man who thinks he is the next Prime Minister of Spain. In another bar, spookily called Luz de Gas, a big photo on the wall shows the man himself posing with the owner-cum-waiter. I don’t know why she put it there, I think it scares the customers off.

Ah, Galicia, beautiful Galicia. Apart from Estrella Galicia and pulpo a la gallega, it gave us Franco, Rajoy and now Feijóo.

Speaking of Franco. Some 1.5 km northeast of the village centre (as defined above) you’ll find a hydroelectric power station constructed during the dictatorship, between 1945 and 1955. The generalissimo just loved his dams. Below the dam, a model village was built for the power station workers, complete with a school and a chapel. Then this housing “was abandoned and fell into disuse for decades”, although the station itself seems to be working all right. Now the restored village hosts Peares Language Immersion Centre. In the summer, the students of the immersion courses descend on the natural pool in the centre of Os Peares where they outnumber the sunbathing locals by an order of magnitude. Above the power station is another place worth visiting, El Mirador Alto da Picota; do some research (a hint: Google Maps may not show you the best route) and wear proper hiking shoes, not sandals as I did.

It’s well known that the rain in Spain stays mainly in Galicia. Not in July though, and especially not in Os Peares. In the four weeks that I spent there, there was one rainy day and several misty mornings, otherwise full sun with daily temperatures up to 40 °C.

According to Wikipedia, in 2023 Os Peares had 57 inhabitants. If it is so, there are more homes than people and, inevitably, many houses are empty, which confers this idyllic corner a certain degree of creepiness. Even stray cats and dogs are conspicuous by their absence. If there are any unsolved murders in Galicia, Os Peares provides the ideal setting. It just has this aura.

This aspect aside, Os Peares is a great spot to visit and probably spend a couple of days hiking around. By the end of the first week there, I thought I’d seen all there is to see. After two weeks, I was fed up with it and with the heat. By the end of the third week, after seeing all there is to see in Ourense, I was ready to go. I left Os Peares after four weeks hoping to never come back.

Os Peares is a place you couldn’t help returning to. On many an occasion I was greeted by a road sign welcoming me, once again, to Os Peares, which means that I must have left the village behind me at some point without noticing it. I’m considering “Once in Os Peares” for the title of my new book. OK maybe “Twice in Os Peares”. But that will be it.

More photos of Os Peares @ Shutterstock.

Saturday, 22 August 2026

The Girl on the Train

by Paula Hawkins

Just like it was the case with Rosalía, I learned about this book from one of my students, who was reading it at the time, during a “one-to-one” session.

“Would you recommend it?”, I asked. “I don’t know yet”, she said, “I’ve only started. I started reading in on the train while travelling here. But I can’t put it down.”

Eight years after that conversation, I finally read it. Probably after everybody else read it, but still. I can confirm its utter unputdownability. (Why, it kept Stephen King up most of the night, or so he says.) And not only that. It’s a great story, exceptionally well written, deliciously noir with quite a few twists, including that of a corkscrew. And how couldn’t you fall in love with its unreliable, alcoholic, mentally unstable, etc. heroine, the titular girl on the train?

Some fun facts about geography of the novel. Both Ashbury and Witney are in Oxfordshire. (There are a few more Ashburys but they are even further away from London.) There are no trains serving either of them. So no way to commute to Euston in “one hour and one minute”. Ashbury, Oxfordshire is a historic village dating from the 9th century with about 500 inhabitants, not “a 1960s new town, spreading like a tumour over the heart of Buckinghamshire”. Witney is a market town, not a “village-on-the-edge-of-London”. The author studied at Oxford and perhaps wanted to transplant these names closer to the capital. The other mentioned places, such as Holkham, seem to be realistically located.

Saturday, 13 July 2013

Morning

I know without looking at a clock that it is somewhere between seven forty-five and eight fifteen. I know, from the quality of the light, from the sounds of the street outside my window, from the sound of Cathy vacuuming the hallway right outside my room. Cathy gets up early to clean the house every Saturday, no matter what. It could be her birthday, it could be the morning of the Rapture — Cathy will get up early on Saturday to clean. She says it’s cathartic, it sets her up for a good weekend, and because she cleans the house aerobically, it means she doesn’t have to go to the gym.
It doesn’t really bother me, this early-morning vacuuming, because I wouldn’t be asleep anyway. I cannot sleep in the mornings; I cannot snooze peacefully until midday. I wake abruptly, my breath jagged and heart racing, my mouth stale, and I know immediately that’s it. I’m awake. The more I want to be oblivious, the less I can be. Life and light will not let me be. I lie there, listening to the sound of Cathy’s urgent, cheerful busyness, and I think about the clothes on the side of the railway line and about Jess kissing her lover in the morning sunshine.
The day stretches out in front of me, not a minute of it filled.
I could go to the farmer’s market on the Broad; I could buy venison and pancetta and spend the day cooking.
I could sit on the sofa with a cup of tea and Saturday Kitchen on TV.
I could go to the gym.
I could rewrite my CV.
I could wait for Cathy to leave the house, go to the off-licence and buy two bottles of Sauvignon Blanc.

Wednesday, 22 July 2026

Before the Coffee Gets Cold

by Toshikazu Kawaguchi
translated by Geoffrey Trousselot

According to Wikipedia, this short novel spawned no less than five sequels. It’s difficult to say why, as the first book is not particularly well-written. The clumsy translation does not help:

‘OK then, here you go,’ Kumi said, and she quickly pulled out two notes from her purse.
Kei took the notes and counted them efficiently. ‘Receiving eleven thousand yen,’ she said, and again she punched the keys of the cash register.

How efficient you have to be to count two banknotes?

But I suspect even the best translation wouldn’t cure the novel of its annoying verbosity. And do we really need to know exactly how its characters are dressed each time they are mentioned? Now if the text was reduced to a twenty-page short story, I most probably would enjoy it. I find the idea of being able to travel to the past knowing that, no matter how hard you try, you couldn’t change it, strangely comforting.

Wednesday, 1 July 2026

Free live music and stuff in Las Palmas, June 2026

Some stuff that we saw in June.

  • 5 June: «Match de impro» @ Teatro Guiniguada, Plaza F. Mesa de León, Las Palmas de Gran Canaria
      The second (of three) performances by Escuela Vives Impro lead by Romina Vives. Presented as a match between two teams who had to improvise their lines according to the words or phrases provided by the audience and randomly selected from the box. On this occasion, the green team won. The Saturday show was supposed to be a final (that is, a competition between the winners of the previous two) but I went to see Mestizo in Parque Doramas. Part of VII Muestra de Teatro no profesional.

  • 6 June: Mestizo @ Auditorio José Antonio Ramos, Parque Doramas
      Feauturing Danny Martínez (guitar), Pedro Izquierdo (timple), Marcel Montcourt (cuatro venezolano), Samuel Ortiz (clarinet, vocals), Kiko González (percussion), Luis Rivero (bass), Adrián Brito (vocals) and Claudia Álamo (vocals).

From 12 to 28 June our city celebrated its Fiestas Fundacionales. Here are some events we’ve attended:

  • 12 June: «Pangea» @ Castillo de la Luz, Calle Juan Rejón
      A work by the Galician composer, musicologist, luthier and multi-instrumentalist Abraham Cupeiro (flutes, horns, bagpipes, carnyx) performed by the author and La Banda Sinfónica Municipal de Las Palmas de Gran Canaria conducted by Juan Roda Sapiña.

  • 13 June: «60 años de soul en el Atlántico» @ Plaza de Santa Ana
      The City Dock Band featuring Cristina Ramos paid a tribute to Los Canarios and American soul artists. With guest appearance of Teddy Bautista (via video) and Toba.

  • 14 June: «Música en el corazón de Vegueta» @ various locations
      This time, the traditional Vegueta festival took place on Sunday morning. I liked this arrangement better than usual Saturday evening one. This is what we’ve seen (the full programme is available here):
      • Archinautas @ Colegio de Abogados
      • Súbito Koral @ Casas Consistoriales
      • La Musicleta @ Plaza del Pilar Nuevo
      • Barrio de Tango @ Plaza de San Agustín
      • Son x Tres @ Plaza de la Real Sociedad Económica Amigos del País
      As an extra bonus, in the patios of Vegueta the visitors were supplied with Tirma chocolate bars.

  • 17 June: Mingo Quintana and José Artiles @ Palacete Rodríguez Quegles, Calle Benito Pérez Galdós 4,
      A double bill from the cycle 12 noches de autor.

  • 19 June: Performance «Cuerpo a tinta» @ Centro de Artes Plásticas, Calle Colón, 8
      A result of the workshop taught by Sandra March, this perfomance complemented the exhibition Engravers for Peace (see below).

  • 19 June: «La costa de los cantares» @ Plaza de Santa Ana
      Olga Cerpa & Mestisay with guest singer Eneida Marta and invited artists Ricardo Campos (bass) and Cristiano Pinto (guitar).

And exhibitions:

  • 25 February — 28 June: «Alma de nacar» @ Casa de Colón, Calle Colón, 1
      Presenting enconchados created in Mexico in the 17th and 18th centuries.

  • 4 June — 3 July: «Grabadores por la Paz» @ Centro de Artes Plásticas
      The collective exhibition Engravers for Peace, coordinated by the Canarian-Palestinian artist Fátima Suleimán Afonso, brings together creations of some 60 artists from different countries, including a work by Tamara.

Goodbye, June, I’ll miss you.

Thursday, 25 June 2026

All You Need Is Love

by The Beatles
— Will that do? ——— Oh yeah, and The Beatles.
— The Beatles, said Jimmy.
— Money for jam, said Joey The Lips. — ALL YOU NEED IS LOVE —— DOO DUH DOO DUH DOO.
— Was tha’ you?
— Indeed it was me, Brother. Five pounds, three and sixpence. A fair whack in those days. ——— I couldn’t stand Paul, couldn’t take to him. I was up on the roof for Let It Be. But I stayed well back. I’m not very photogenic Brother. I take a shocking photograph.

Hey, it’s official:

Now, in a major milestone for the celebration, Apple Corps Ltd, the company founded by The Beatles to manage their creative and business ventures, has formally acknowledged Global Beatles Day.

And more:

On 25th June, alongside online and in-person events around the world that celebrate the band, The Beatles will also release a colourised version of their BBC Our World performance of “All You Need Is Love” for free on YouTube. The first time the iconic performance has been made available online, it will celebrate the iconic performance’s anniversary, mark Global Beatles Day, and give fans around the world the chance to relive that spectacular, global moment from 1967 and share their reaction in the live chat.

“The first time”, really? I’ve seen it before, black and white as well as “colourised” (although I prefer the B&W version). For free.

But of course I’ll be watching it anyway, in a hope to catch a glimpse of Joey The Lips Fagan playin’ DOO DUH DOO DUH DOO on his Gina.

Tuesday, 23 June 2026

Murder on the Orient Express

a film by Sidney Lumet
based on a novel by Agatha Christie

Curiously, it took exactly forty years from the publication of Christie’s classic novel to make its first adaptation. Of the three films from the cycle Nada es lo que parece, the last one was the one I liked the least. I found its all-star cast including Ingrid Bergman, Jean-Pierre Cassel, Sean Connery, Anthony Perkins and Vanessa Redgrave rather underwhelming, while Albert Finney portrayed the most annoying Poirot I’ve seen. It is its few comic moments that make this grandiose movie actually enjoyable.

According to Wikipedia,

Christie, who died fourteen months after the release of the film, stated that Murder on the Orient Express and Witness for the Prosecution were the only movie adaptations of her books that she liked although she expressed disappointment with Poirot’s moustache.

Thursday, 18 June 2026

Carol

a film by Todd Haynes
based on a novel by Patricia Highsmith
screenplay by Phyllis Nagy
There’s not an ounce of guilt, there’s not an ounce of regret, over the nature of their attraction for each other. I also found Highsmith’s notions of what makes a good mother to be quite radical — the choices that people have to make in order to make the lives of their children better <in 1952> seemed really fresh, and radical. And still do, to this day, actually.

A beautifully atmospheric and stylish drama starring Cate Blanchett as Carol and Rooney Mara as Therese. According to Wikipedia, it took about 19 years to make this movie (1996 through 2015) while actual “filming was completed after 34 days”; it was shot on Super 16 mm film.

Carol continues the cycle Diversidad, Igualdad y Cultura by Filmoteca Canaria and Instituto Canario de Desarrollo Cultural.